Nemo’s Insurrection

Nemo - Revolu$ion
Nemo

Revolu$ion (Quadrofinic, 2011)

Revolu$ion is the latest album by French progressive rock band Nemo. Revolu$ion is a concept album that centers on an uprising to obtain freedom and equality. The first cut on the album, ‘Liberté, égalité, Insurrection!’ is a short instrumental piece with piano and electric guitar in classic symphonic rock style.

On ‘Je suis un objet’ the dramatic vocals enter the scene evoking French progressive rock legends Ange. There is excellent instrumental work on keyboards and acoustic guitar. However, midway through the piece, the atmosphere is ruined with heavy metal chords that drown out the keyboards. Thankfully, the metal disappears and the last part has an epic nature.

‘Revolu$ion’ contains good keyboard and vocal sections. The entire track is filled with unnecessary hard rock and heavy metal chords that interrupt the progressive rock moments. Some of the 2000s bands seem to think that if you want to illustrate drama and tension, you have to use heavy metal. Not so, the best progressive rock masters create high drama without having to use any metal.

‘Aux Portes du paradis’ brings some desperately needed calm, with excellent slide guitar parts.

‘Seul dans la foule’ is a long piece that has more of the great vocal work as well as notable guitar segments. Around four minutes into the track, the hard rock chords come back and it turns into a hard rock fest.

‘Chiens en lasse’ offers delectable vocal and guitar work.

The 24-minute piece ‘Loin des yeux (Barbares Partiers VIII a XII)’ is meant to be the great epic track in the album. Although it has some good moments with majestic keyboards, the hard rock and metal guitar is overwhelming.

The final piece is titled ‘Notes pour plus tard’.

Musicians on Revolu$ion include: Guillaume Fontaine on keyboards and vocals; Lionel B. Guichard on bass and vocals; Jean Pierre Louveton on guitar and lead vocals; Jean Babtiste Itier on drums and vocals.

The overall impression is that Nemo is formed by skilled musicians who are able to create fine progressive rock, but their heavy metal tendencies spoil many of the pieces. They really need to decide if they want to evolve into true progressive rock or regress into a heavy metal band.

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