Dead Can Dance, an acclaimed genre-defying duo has a new album titled Dionysus. The recording is the duo’s first album in six years and consists of two acts across seven movements that represent the different sides of the Dionysus myth.
“The Mountain” is the first movement of the album’s second act, where, explains Perry, “listeners will find themselves visiting Mount Nysa. This mountain was Dionysus’ place of birth, where he was raised by the centaur Chiron, from whom he learned chants and dances together with Bacchic rites and initiations.”
Formed in Melbourne in 1981 by Lisa Gerrard and Brendan Perry, Dead Can Dance released several spellbinding albums that incorporated African polyrhythms, Gaelic folk, Gregorian chant, Middle Eastern scales and art rock.
Acclaimed guitar virtuoso Steve Hackett has announced the release of his new studio album ‘At The Edge Of Light’ on January 25, 2019. Steve Hackett was Genesis’ guitar player during the band’s highly influential progressive rock era.
‘At The Edge Of Light’ contains ten songs, featuring various musical genres, ranging from guitar-driven rock to epic symphonic orchestration, world music and atmospheric pieces.
Steve reveals: “In these dangerous times, deep shadows feel even sharper than usual and we find ourselves standing at the edge of light… The contrast between dark and light weaves its way throughout the album in many ways, from the sense of good fighting evil through to the interplay of dark and light opposites magically combining in cultures, including the heartbeat of India and primal tribal rhythms. Ultimately, this album embraces the need for all musical forms and cultures to connect and celebrate the wonder of unity in this divided world.”
At The Edge Of Light will be available in various formats, including a Mediabook CD plus extra DVD with 5.1 surround sound mix & behind the scenes documentary, double vinyl LP + CD, Jewelcase CD and digital album.
‘At The Edge Of Light’ was primarily recorded in Steve’s own studio but also around the world. The album includes international artists, such as Durga and Loreley of Pink Floyd vocal fame, drummers Nick D’Virgilio and Simon Phillips from USA, Sheema on sitar from India, Icelandic drummer/percussionist Gulli Briem, tar player Malik Mansurov and Swedish progressive rock bass player Jonas Reingold. This album also features Paul Stillwell on didgeridoo, Rob Townsend on sax, bass clarinet and duduk, Amanda Lehmann on vocals, John Hackett on flute, drummer Gary O’Toole, Roger King and Ben Fenner on keyboards, Dick Driver on double bass, violinist and viola player Christine Townsend.
Hackett recently played a series of Genesis Revisited shows with Orchestra and will perform two UK dates with acoustic sets in early December before touring Europe in April/May 2019. He also announced a UK tour in November 2019 with a much anticipated ‘Selling England By The Pound & Spectral Mornings & Album Highlights’ set. Upcoming tour dates are available at: hackettsongs.com/tour
Classically trained media artist and robotic musician Moritz Simon Geist has released his debut EP “The Material Turn” on his newly formed label Sonic Robots Records. The EP precedes the release of Geist’s full length album, “Robotic Electronic Music” on November 16.
The EP and LP, both co-produced with Berlinian sound wizards from Mouse On Mars, are the first techno records played entirely by self-made futuristic robots, including small motors that beat on metal, futuristic 3D-printed robo-kalimbas, and salvaged parts from old hard drives that click and cut. It took Geist several years to build, tweak, test and play all his DIY robotic instruments which push the boundaries of the imaginable. With these releases Geist explores the unknown and the futuristic world of techno robotics.
“When you listen to robots playing, you realize, that they sound precise, but in contrast to digital sounds they transport an immense organic feeling,” says Geist. “No beat is like the other, everything is played with actual acoustic physicality and thus actual error. At the same time, the repetitive nature of the robots make it perfect for playing electronic music. It’s industrial and organic.”
Mortiz Simon Geist will be announcing US Tour Dates including an official SXSW showcase and panel/presentation this March.
This very special 21-CD, numbered edition titled The Art Ensemble Of Chicago And Associated Ensembles brings together the ECM recordings of the Art Ensemble of Chicago and related projects including Lester Bowie’s Brass Fantasy, Roscoe Mitchell’s Note Factory and the Transatlantic Art Ensemble, as well as groups led by Jack DeJohnette and Wadada Leo Smith.
Art Ensemble of Chicago: Nice Guys (1978), Full Force, (1980), Urban Bushmen (2 CD, 1980), The Third Decade (1984) Leo Smith: Divine Love (1978) Lester Bowie: The Great Pretender (1981), All The Magic (2 CD, 1982), I Only Have Eyes for You (1985), Avant Pop (1986), Tribute to Lester (2001), Roscoe Mitchell & The Note Factory: Nine To Get Ready (1997), Transatlantic Art Ensemble/Mitchell: Composition/Improvisation 1, 2 and 3 (2004), Transatlantic Art Ensemble/Parker: Boustrophedon (2004), Roscoe Mitchell & The Note Factory: Far Side (2007), Roscoe Mitchell: Bells for the South Side (2 CD, 2015) Jack DeJohnette’s New Directions (w Lester Bowie) (1978), Jack DeJohnette’s New Directions: In Europe (w Lester Bowie) (1979), Jack DeJohnette: Made In Chicago (w Mitchell, Abrams, Threadgill) (2013)
Psychedelic progressive band After Nations has announced the release of a new album titled Consteleid, scheduled for release on August 1st.
Guitarist Andrew Elliott said about the new recording: “This is definitely our most ambitious work to date. I’ve really focused the past few years trying to develop as both a song-writer and guitarist, and in working with Travis and Zack to create something that feels like it represents where we are musically. I think the ideas and themes all feel more developed, more mature, more focused – and the album feels more expansive in the sonic ground it covers. I hope people will experience and feel that when they hear it.”
The band will be presenting the new album across the US Midwest, southwest, and West Coast later this summer. This time they’ll be joined by an additional guitarist, David Sandoval (Eat the Sun, Chaff, Kenaima).
“In the past, I’ve written guitar parts for albums that I have to condense down for live performances,” says Andrew Elliott. “I couldn’t play everything that’s there, it’s just not possible, so I’d focus on critical parts and cut other things. With this album, I just didn’t feel we could do that. The writing is all interdependent; everything has a place, every part is serving the music. It just doesn’t have the same energy, feeling, or texture without all of it being played live. So I reached out to Dave – an incredible musician and friend from past tours – and asked him if he’d want to join us. He was down, and here we are.”
8/17 Lawrence, KS at Replay Lounge
8/18 Colorado Springs, CO at Triple Nickel
8/19 Denver, CO at 7th Circle
8/21 Salt Lake City, UT at The Underground
8/22 Boise, ID at The Olympic
8/23 Salem, OR at The Space
8/24 Portland, OR at Kenton Club
8/25 Seattle, WA at The Central
8/29 Oakland, CA at Elbo Room
8/30 Las Vegas, NV at TBA
8/31 Phoenix, AZ at Rogue
9/1 Albuquerque, NM at TBA
Legendary progressive rock drummer Carl Palmer will release a new, 2-disc digipack album titled Carl Palmer’s ELP Legacy Live. The set will be released by BMG on June 29th, 2018. Carl Palmer’s ELP Legacy Live includes two remarkable Carl Palmer’s ELP Legacy shows recorded on audio and video and presented in a deluxe booklet with sleeve notes by Carl Palmer.
Recorded on November 25th , 2015, the CD performance includes a full-length version of Emerson Laker and Palmer’s ‘Tarkus’ played together ‘Mars, Toccata and Fugue in D Minor’, ‘The God Of War / 21st Century Schizoid Man’, ‘Knife-Edge’, ‘Trilogy’ and other pieces, before a sell-out crowd at New York’s Tralf Music Hall.
The DVD includes a 2 hour long complete and spectacular tribute show to Keith Emerson, featuring special guests: Steve Hackett (Genesis), Mark Stein (Vanilla Fudge) and David Frangioni. Recorded at Olympia Theater Miami on June 24th, 2016, the show includes much adored ELP classics such as ‘Bitches Crystal’, ‘Hoedown’, ‘Karn Evil 9’ (Welcome Back My Friends), ‘Romeo & Juliet’, ‘Fanfare For The Common Man’, ‘Jerusalem’ and ‘The Barbarian’.
Carl Palmer’s ELP Legacy was created in 2001 and includes Carl Palmer in conjunction with guitarist Simon Fitzpatrick and bassist Paul Bielatowicz.
Norwegian electronic music sound-crafter Erik Wøllo has released his 23rd album, titled Threshold Point.
Wøllo says about the recording, “For me, Threshold Point is a musical idea of an actual transformation: to cross a threshold, going from one form to another… into a change. Unfolding over time, gradually bridging and leading into new states or places. In my music, patterns and evolution are basic elements, always retaining an emotional connection with the melodies and the textures.”
Shuggie Otis, better known for his soulful songs, has a new, largely instrumental fusion album tiled Inter-Fusion. The project displays Otis’ talent as a guitarist, featuring his maroon Gibson SG. The band includes Carmine Appice (of Vanilla Fudge and Beck, Bogert & Appice) on drums and bassist Tony Franklin (of The Firm and Roy Harper). Additionally, keyboardist Kyle Hamood (of local L.A. rockers Them Guns) participates as both a musician and producer of the album.
Journey Through an Open Mind is his eighth release. He develops progressive guitar melodies and expressive ambient textures.
Dan was born in 1988 in Wirral, England. He first picked up the guitar at age 15, inspired by a lot of alternative music, as well as his own father who played the classical guitar. He recorded his experimentations as a hobby. Eventually, in 2013 he released his first album, “Ephemeris”.