Yet another album marketed as progressive rock that’s really not. Karibow is the project of vocalist and multi-instrumentalist Oliver Rüsing. His style brings together AOR, pop rock beats, hard rock and heavy metal riffs. The only piece that you could legitimately call progressive rock is a pretty good symphonic instrumental titled “Requiem.”
TriCoolOre – World Without Words (Garden Of Dreams Records, 2017)
TriCoolOre is a great fusion band from Nicosia, Cyprus. The foundation of TriCoolOre is a trio of virtuoso musicians on electric bass, keyboards and drums. On World Without Words they are beefed up with a guest trumpet player.
On World Without Words you’ll find a tasty mix of Eastern Mediterranean and Greek influences combined with progressive jazz fusion and even some Latin American elements on the rhythmic side.
While the first pieces have significant world music influences, the final three tracks lean much closer to jazz-rock fusion and funk jazz.
Throughout the album, TriCoolOre treats the listener to superb bass work, supported by the keyboards and drums. The lineup includes Nikos Doukas on electric bass & loops; Angelos Doukas on keyboards; and Vasilis Vasiliou on drums & percussion.
Guests: Pantelis Stoikos on trumpet; Takis Barberis on guitar; and Dimitris Lappas on fretless guitar.
TriCoolOre delivers a set of finely crafted fusion pieces with a world music edge.
Dreadnaught is the band that regularly plays an unexpected mix of musical genres. In past albums, Dreadnaught has combined Americana and progressive rock. Hard Chargin’ continues this tradition. The opening song combines new wave-style pop-rock, Americana and classic rock.
The progressive side starts with “Gaudy Baubles”, a Frank Zappaesque instrumental with plenty of odd twists and turns bringing in prog-rock bass and Canterbury-leaning keyboards.
The American prog mix is more evident on track 4, “Takin’ a ride with the Fat Man.”
“Express Delight” brings together psychedelia and Canterbury –style progressive rock. Something similar happens on the lengthy “Mummies of the Cobboseecontee” where jazz-infused rock meets blues.
The lineup includes Rick Habib on drums, percussion, vocals; Bob Lord on bass guitars, keyboards, vocals; and Justin Walton on guitars, piano, organ, keyboards, saxophone, vocals. Guests: Chris Dow on flute and Andy Happel on violin.
While I really enjoyed the Americana, classic rock and prog mix, I could have done without the pop-leaning songs.
Chilean progressive rock band Aisles has announced its upcoming tour of Mexico and the United States.
The band released a new album in 2016 titled Hawaii
Sat 12 Aug – Prog Jazz Fest, Foro Fausto Vega – Mexico City, Mexico
Wed 16 Aug – Underground Bar – Saltillo, Mexico
Thu 17 Aug – X-Stage – Monterrey, Mexico
Fri 18 Aug – Metal Brothers – Mexico City – Mexico
Sat 19 Aug – Centro De Las Artes De Querétaro, Querétaro – Mexico
Sat 14 Oct – Progstock Festival, Union County Performing Arts Center – Rahway, NJ, USA Tickets
Mon 16 Oct – Ferguson Theatre, University Of Pittsburgh, Greensburg, PA, USA Tickets
Wed 18 Oct – Buffalo Iron Works, Buffalo, NY, USA Tickets
Thu 19 Oct – Elkhart, Indiana, USA
Fri 20 Oct – Progtoberfest, Reggies – Chicago, Il, USA Tickets
Twelve celebrated progressive music acts are set to perform at the 2017 Rock in Opposition (R.I.O.) Festival to be held in France. The three-day festival is dedicated to artistically-uncompromising rock music.
The 2017 Program:
Le Silo (Japan)
Trans-aeolian Transmission (France)
Acid Mothers Temple (Japan)
In Love With (France)
Slapp Happy (Germany/England)
Berklee President Roger H. Brown presented an honorary doctor of music degree to groundbreaking guitarist, composer, and band leader John McLaughlin on July 10, during the commencement ceremony for the graduate programs at Berklee’s campus in Valencia, Spain. McLaughlin also performed as a special guest at the commencement concert at the Palacio de las Artes Reina Sofia.
McLaughlin is a jazz fusion maestro whose extensive work as bandleader is complemented by his work with fellow stars such as Miles Davis, Chick Corea, and Paco de Lucia. He was at the vanguard of the cross-cultural jazz surge of the 1970s, drawing on Indian music influences with the Mahavishnu Orchestra and Shakti.
“The role of music is today what it has always been in the past,” he said in his acceptance remarks. “It is the universal language of love, both human and divine. Music is our highest form of collective unity, since in any given concert there will be Christians, Hindus, Muslims, Buddhists, and atheists, all under one roof, enjoying music.”
He added, “Whatever we give to music with love and dedication is repaid a thousand times in ways that defy categorization. To be a musician is one of the greatest privileges.”
At the commencement ceremony, 137 graduates from 30 nations received master of music degrees in music production, technology, and innovation; scoring for film, television, and video games; and contemporary performance with a concentration in production; or Master of Arts degrees in global entertainment and music business.
The ceremony also celebrated the Valencia campus’ fifth year, during which time the campus has hosted more than 1,500 students from 71 nations and granted $4 million in scholarships to graduate students.
In a career that has spanned over 4 years John McLaughlin has been part of or led some of the most important movements in jazz and music. His compositions are now being treated with the reverence of classical music pieces and being interpreted the world over musicians of many varied genres.
John McLaughlin was born January 4 1942 in Doncaster, Yorkshire in England. The guitarist is well known for his eclectic taste in music. McLaughlin was a child when he first fell in love with jazz and the blues and he was just 11 years old when he began studying and playing the guitar.
The 1960s found him playing jazz rock and blues in his native England where he worked with Alexis Korner and Ginger Baker among others before moving to New York at the end of the decade.
McLaughlin had a busy year in 1969. He recorded his debut album Extrapolation and started working with two seminal voices in early fusion: Tony Williams (who employed McLaughlin and organist Larry Young in his trailblazing group Lifetime) and Miles Davis. Never afraid to forge ahead Davis had done a lot to popularize cool jazz and modal post-bop in the past and he continued to break new ground when he introduced fusion on his 1969 sessions In a Silent Way and Bitches Brew both of which feature McLaughlin’s playing. The guitarist was also featured on 1970’s A Tribute to Jack Johnson another Davis gem of the time.
Like bebop in the 1940s and modal jazz in the early 1960s fusion was controversial. Jazz purists felt that rock and funk rhythms had no place in jazz but thankfully McLaughlin disagreed and let his musical instincts guide him.
After participating in Davis’ and Williams’ groundbreaking fusion combos McLaughlin founded an influential group of his own in 1971: The Mahavishnu Orchestra fusion’s first super group. The Mahavishnu Orchestra created music that still has a unique influence today. The band included some of the finest contemporary jazz instrumentalists of the time: violinist Jerry Goodman (later Jean-Luc Ponty), keyboardist Jan Hammer (later Gayle Moran and Stu Goldberg), bassist Rick Laird (later Ralphe Armstrong) and drummer Billy Cobham (later Narada Michael Walden). The Mahavishnu Orchestra combined electric jazz and rock with Indian influences.
By the time Mahavishnu broke up in 1975 it had recorded several classic albums for Columbia (including Birds of Fire, Between Nothingness and Eternity, The Inner Mounting Flame, Apocalypse and Visions of the Emerald Beyond) and gone down in history as one of the 1970’s most influential fusion ensembles.
In 1973 collaborated with Carlos Santana on the album Love Devotion Surrender dedicated to their guru at the time Sri Chinmoy. They covered John Coltrane pieces including the classic “A Love Supreme” (with chanting) and several Mahavishnu compositions.
In 1975 McLaughlin did the unexpected by founding Shakti an acoustic group that employed traditional Indian musicians including tabla player Zakir Hussain violinist L. Shankar (Ravi Shankar’s nephew), T.H. Vikku Vinayakram (ghatam) and earlier Ramnad Raghavan (mridangam). The group released Shakti with John McLaughlin and A Handful of Beauty.
Shakti underscored the guitarist’s interest in India’s music culture and religion. Shakti reminded listeners that McLaughlin was as appealing on the acoustic guitar as he was on its electric counterpart and proved that he wasn’t about to confine himself to playing any one style of music exclusively.
Indeed McLaughlin was heard in a variety of musical settings in the 1980s everything from a brief Mahavishnu Orchestra reunion in 1984 to an acoustic guitar summit with Al DiMeola and Flamenco legend Paco de Lucia in 1982 (The Guitar Trio) to a classical album with the London Symphony Orchestra in 1988. At the same time McLaughlin was also at the forefront of technology using the first guitar synthesizers.
McLaughlin was no less eclectic in the 1990s when his Verve projects ranged from 1993’s acoustic Time Remembered: John McLaughlin Plays Bill Evans (a tribute to the late pianist) to sessions featuring organist Joey DeFrancesco (1993’s Tokyo Live) and an acoustic McLaughlin/DiMeola/de Lucia reunion in 1996.
It was in 1997 that McLaughlin reunited with Zakir Hussain and a reconfigured version of Shakti for several U.K. concerts that were documented on Verve’s two-CD set Remember Shakti. In the subsequent years John has releasedAfter the Rain with Elvin Jones and a career retrospective titled The Promise as well as the live The Heart of Things and most recently Industrial Zen.
In 2005 he created a revolutionary guitar instructional DVD This is the Way I Do It that has met with universal praise. Today he continues on his musical journey by once again delving into yet another musical form that combines all of his past experience with as of yet unlearned knowledge.
‘I’m a guitar player that’s what I am primarily that’s what I’ll always be‘ McLaughlin has been quoted as saying. ‘(And) I’m an eternal learner. I don’t want to stop learning because I feel that no matter what I’ve done; I’m really just beginning again. I don’t think I’ll ever stop learning.’
In 2010 he received the reputable German jazzahead! Award. The award honors the activities of artists in the vibrant and distinct musical language of jazz.
In 2015 McLaughlin released Black Light featuring 8 original McLaughlin compositions including a tribute to his departed colleague collaborator and friend Paco De Lucia, with whom McLaughlin had intended to compose an album’s worth of new material just before De Lucia’s untimely passing. McLaughlin returned to acoustic guitar for a tribute to his friend titled “El Hombre Que Sabia”.
The rest of Black Light is electric showcasing McLaughlin’s band the 4th Dimension, “my three favorite musicians,” said McLaughlin. The 4th Dimension is composed of multi-instrumentalist Gary Husband on keyboards and drums, Etienne Mbappe on electric bass and drummer Ranjit Barot.
International Genetics is the instrumental rock album by New York band You Bred Raptors? The trio has an unconventional lineup featuring cello, 8-string bass and drums/glockenspiel.
You Bred Raptors? sound revolves around the excellent interplay between the bass and cello. The 8-string bass is a versatile instrument that sometimes sounds more like a guitar than a conventional bass.
International Genetics is a playful and attention-grabbing album where powerful rock beats support a mix of post rock, classical, prog rock and funk music influences.
You Bred Raptors? has participated in the Music Under New York program, a busking organization granted permission by the city of New York and the Metropolitan Transportation Authority (MTA) to perform in the major subway systems that connect the 5 New York boroughs. You Bred Raptors? have played over 800 subway shows alone so far and toured the USA and Canada.
The lineup includes Peat Rains on 8-string bass; Bryan Wilson on cello; and KC Solaris glockenspiel and drums. Guests: Kristin Agee on additional glockenspiel and vibraphone; and Manuel Guevara on percussion.
Italian progressive rock band Unreal City has a new album titled “Frammenti notturni”. Unreal City has performed at international prog rock festivals and has become one of the leading acts in the present Ialian scene.
The current line-up includes composer and lyricist Ema Tarasconi on keyboards and vocals; Francesca Zanetta on guitar; Dario Pessina on bass; and new drummer Marco Garbin. “Frammenti notturni”also features guest sappearances by Matteo Bertani on violin and Camilla Pozzi on vocals.
The album contains five long pieces, mixing brooding atmospheres with classic 1970s progressive rock.
Legendary Italian progressive rock group PFM (Premiata Forneria Marconi) has announced the release of its new album Emotional Tattoos in October 2017 on the InsideOutMusic label. Emotional Tattoos is expected to feature PFM’s trademark sound.
The current lineup includes Alessandro Scaglione on keyboards, Hammond organ, Moog; Lucio Fabbri on violin; Patrick Djivas on bass; Franz Di Cioccio on lead vocals and drums; Marco Sfogli on guitars; Roberto Gualdi on drums; and Alberto Bravin on keyboards, backing vocals.
Progressive rock, jazz-rock fusion, ambient electronic music and beyond