Arrive Without Leaving is a fascinating collaboration that brings together various artists involved with acoustic and electronic ambient music, minimalism and sounds explorations.
On Arrive Without Leaving, Laraaji, Arji OceAnanda and Dallas Acid take the listener on a spellbinding voyage through mesmeric music, combining evolving electronic layers, mystical flutes and Laraaji’s signature sound on the electrified zither.
The lineup includes Laraaji on electrified zither, mbira, percussion, electronics, voice, ThumbJam electric violin, samples; Arji OceAnanda on percussion, ThumbJam strings, ThumbJam flute, Peruvian cacho seed pods, hand chimes, mbira, shakers; and Dallas Acid, featuring Linda Beecroft on steel tongue drum, gong; Michael Gerner on Moog synthesizers and Mellotron; and Christian Havins
Pn Moog synthesizers and Mellotron.
Cascades is the remastered edition of the 2015 atmospheric album by British guitarist Dan Caine. He specializes in ambient, contemplative guitar sounds, intertwining melodies and mesmerizing electronic arrangements.
Electronic music artist Dan Pound takes the listener into the subconscious mind. Dreams That Take You is a sonic voyage that features hypnotic floating synths, mysterious ambient soundscapes, trance-like beats, and shamanic vocals.
The primary musical instrument in this recording is a synthesizer called Evolver, designed by Dave Smith. Dan Pound found this synth especially effective as he developed his dream atmospheres.
Dreams That Take You is a deeply satisfying ambient electronic music album.
Journey Through an Open Mind is his eighth release. He develops progressive guitar melodies and expressive ambient textures.
Dan was born in 1988 in Wirral, England. He first picked up the guitar at age 15, inspired by a lot of alternative music, as well as his own father who played the classical guitar. He recorded his experimentations as a hobby. Eventually, in 2013 he released his first album, “Ephemeris”.
Composer, producer, synthesist and multi-instrumentalist, Steve Roach was born February 16, 1955 in La Mesa, near San Diego, in California. He is fascinated by the desert landscapes and wide open spaces in the Southwest of the United States, as well as the outback deserts of Australia. Steve’s style has evolved from purely electronic sounds to the combination of synthetic sounds with some of the most primitive musical instruments.
Steve bought his first synthesizer in 1978. Although his first influences were German electronic acts like Tangerine Dream, Can and Klaus Schulze, Steve soon went beyond and developed his own style.
Los Angeles’ hectic way of life led him to isolate himself in a musical sanctuary. Initially, Steve composed intense sequencer-based music. Later, he started to compose more tranquil and atmospheric music as a response to the rhythmic and sequenced world that characterized his earlier music.
After Empetus, Steve’s compositions mirrored his impressions of southwestern landscapes and world music. His trips to Australia had a profound effect on his music. The desert’s attraction led Steve to move to Tucson, Arizona in the southwestern United States.
“I seek musical instruments that allow me to create sounds in an attractive and intuitive way. It’s something intriguing. That’s the difference between a keyboardist and a synthesis,” says Steve.
Steve Roach records and produces his music in his own studio called the Time Room. It’s a room full of marvelous electronic music devices that Roach uses to extract a multitude of spellbinding sounds.
Steve Roach is restless in his search for new sounds that connect with an ancient source of truth in this ever changing world. Roach has earned his position in the international first tier of major progressive music artists over the last decades through his ceaseless productivity, constant innovation, open minded collaborations with numerous artists and the psychological depth of his music.
Recognized worldwide as one of the leading innovators of contemporary electronic music, he is a very prolific musicians, who has released dozens of albums since 1981, including the ground-breaking double CD Dreamtime Return; the critically acclaimed tribal-trance extravaganza Artifacts; the award winning Earth Island, the second collaboration with Mexican multi-instrumentalist Jorge Reyes and Spanish guitarist and producer Suso Sáiz; the independently produced The Dream Circle; his collaboration with Belgian musician Vidna Obmana, Well of Souls; and Kiva, a mind-bending masterpiece featuring hallucinogenic shamanic rites, synthesizer landscapes and primeval instruments, combining the talents of Roach, Michael Stearns and Ron Sunsinger.
“At the melting point in the ocean of desert, this awesome expanse of a 180-degree horizon slowly works on the perception, revealing yet again the Other desert of inner regions that I crave to be in,” says Steve Roach.
Now (Fortuna 1982)
Traveler (Domino 1983, Fortuna 1987) Structures from Silence (Fortuna 1984)
Quiet Music 1 (Fortuna 1986)
Quiet Music 2 (Fortuna 1986)
Quiet Music 3 (Fortuna 1986)
Empetus (Fortuna 1986)
Western Spaces (with Kevin Braheny,Thom Brennan; Fortuna 1990) Quiet Music (Fortuna 1988)
The Leaving Time (with Michael Shrieve; Novus/RCA 1988) Dreamtime Return (Fortuna 1988)
Stormwarning: Live in Concert (Soundquest 1989, Lektronic Soundscapes 1992)
Desert Solitaire (with Kevin Braheny, Michael Stearns; Fortuna 1989)
Australia: Sound of the Earth, with David Hudson, Sarah Hopkins (Fortuna 1990)
Strata, with Robert Rich (Hearts of Space 1990)
Now / Traveller (Fortuna 1992)
World’s Edge (Fortuna 1992)
Soma, with Robert Rich (Hearts of Space 1992)
Suspended Memories: Forgotten Gods, with Jorge Reyes, Suso Sáiz (Hearts of Space 1993)
The Lost Pieces (Rubicon 1993, Relic/Projekt 1995) Origins (Fortuna 1993)
Solitaire: Ritual Ground, with Elmar Shulte (Silent 1993)
Suspended Memories: Earth Island, with Jorge Reyes, Suso Sáiz (Fathom 1994)
Artifacts (Fortuna 1994)
The Dream Circle (Soundquest 1994)
Well of Souls, with Vidna Obmana (Projekt 1995)
Kiva, with Michael Stearns, Ron Sunsinger (Fathom 1995)
The Dreamer Descends (Amplexus 1995) The Magnificent Void (Fathom 1996)
On This Planet (Hearts of Space, 1997)
Slow Heat (Timeroom Editions, 1998)
Light Fantastic (Hearts of Space, 1999)
Atmospheric Conditions (Timeroom Editions, 1999)
The Dream Circle (Timeroom Editions, 1999)
Truth & Beauty: The Lost Pieces 2 (Timeroom Editions, 1999)
Midnight Moon (Projekt, 2000)
Early Man (Projekt, 2001)
Time of the Earth (2001)
Core (Timeroom Editions, 2001)
Streams & Currents (2001)
Darkest Before Dawn (2002)
Mystic Chords & Sacred Spaces (Projekt, 2003)
Texture Maps: The Lost Pieces 3 (Timeroom Editions, 2003)
Life Sequence (2003)
Fever Dreams (2004)
Holding the Space: Fever Dreams II (Timeroom Editions, 2004)
Places Beyond: The Lost Pieces 4 (Timeroom Editions, 2004)
Possible Planet (2005)
New Life Dreaming (2005)
Immersion: One (Projekt, 2006)
Proof Positive (2006)
Kairos: The Meeting of Time and Destiny (2006)
Immersion: Two (Projekt, 2006)
Fever Dreams III (2007)
Immersion : Three (2007)
A Deeper Silence (2008)
Landmass (Timeroom Editions, 2008)
Dynamic Stillness (2009)
Destination Beyond (2009)
Immersion: Four (Timeroom Editions, 2009)
Sigh of Ages (2010)
Immersion Five – Circadian Rhythms (2011)
Groove Immersion (2012)
Back to Life (2012)
Soul Tones (2012)
Future Flows (2013)
Spiral Meditations (2013)
Bloodmoon Rising (2014)
The Delicate Beyond (2014)
The Delicate Forever (2014)
The Desert Collection – Volume 1 (2014)
Skeleton Keys (Projekt, 2015)
The Skeleton Collection 2005 – 2015 (Timeroom Editions, 2015) Etheric Imprints (Projekt, 2015)
Bloodmoon Rising – The Complete 5 hour collection (Timeroom Editions, 2015)
Vortex Immersion Zone (Timeroom Editions, 2015)
This Place to Be (2016) Shadow of Time (Projekt Records, 2016) Spiral Revelation (Projekt Records, 2016)
Fade to Gray (2016)
Painting in the Dark (2016)
The Passing (Timeroom Editions, 2017)
Nostalgia for the Future (Timeroom Editions, 2017) Long Thoughts (Projekt Records, 2017)
Groundbreaking guitarist and composer Jon Durant has a new solo cloud guitar album titled “Parting Is.” The album features mesmerizing guitar experiments featuring loops, ambience, melodies and textures.
Acclaimed electronic music trailblazer Steve Roach has received a Grammy nomination in the Best New Age Album category for his Spiral Revelation (Projekt Records) album.
Steve Roach is a pioneer in the development of ambient and tribal electronic music. He is exceptionally prolific, with a discography of over 125 albums. Iconic recordings include Structures from Silence and Dreamtime Return.
Visual Music is an outstanding recording of cello music by composer and cellist Joan Jeanrenaud, who used to be a member of the famed Kronos Quartet for 20 years.
Joan Jeanrenaud delivers a set of solo cello pieces that range from captivating melodies and cinematic soundscapes to mesmerizing ethereal compositions and neoclassical pieces as well as experimentation using various layers and cello techniques.
There are truly fascinating tracks such as are the beautiful “Solo Prelude,” and the hypnotic pieces “Isola” “Moon Above” and “Ethereal Tree” where Joan Jeanrenaud ventures into deep space and other worlds, mixing her multifaceted cello with ambient electronics.
The tracks on Visual Music were originally made for Joan Jeanrenaud’s Dance, Theater and Art Museums.
The musicians on the Visual Music album include Joan Jeanrenaud on cello; PC Muñoz on marimbata, cajón and drum kit; William Winant on vibraphone; and Dohee Lee on recorder and electronics.
Drift is the dreamy ambient and instrumental rock album by guitarist Jim Matheos (Fates Warning). In some tracks Matheos is closer to the repetitive, minimalist post-rock style. Other times, he moves toward the Brian Eno sensibility and electronic soundscapes.
Most of the album is pretty laid back, with repetitive, reverberating guitars and occasional drums, although Jim Matheos increases the intensity on several tracks, adding drums and guitar solos; and he even ventures into less interesting heavy metal on one track.
Guests include Lloyd Hanney on drums; Kevin Moore on keyboards; and Anna-Lynne Williams on ethereal wordless vocals.
Italian multi-instrumentalist Pepe Maina has recorded a mesmerizing instrumental double album titled Etheric Anomalies. He defines his music as ambient prog and this a very accurate way of classifying his sound.
Pepe Maina develops marvelous soundscapes. While sometimes the music is ethereal, it’s not syrupy new age. He adds soaring and sometimes fiery electric guitars, symphonic and world music elements that make his music entrancing and appealing.
Together with the electronic atmospheres and looped instruments, you’ll hear pastoral sections that recall Anthony Phillips; ethnic sounds that take you into terrain similar to Jade Warrior; early Steve Hillage influences; and much more.
Pepe Maina develops his music at his own workspace called Nonsense Studio. Maina plays synthesizers, samplers, flutes, guitars and percussion.
Etheric Anomalies showcases a set of finely-crafted music pieces that cross the boundaries of progressive electronica and world music.