Dialeto – Bartók in Rock (Chromatic Music CMCD 001, 2017)
Brazilian band Dialeto has adapted well known classic pieces by Béla Bartok and has transformed them into progressive rock pieces. Bartok’s original pieces were inspired by Bulgarian rhythms and Romanian folk dances. Dialeto, from Sao Paulo, added complex, highly creative instrumental rock, heavy blues and improvisation.
This mix of progressive rock with folk-rooted traditions works really well. Bartók in Rock also features a high profile guest, violinist, David Cross (King Crimson) on one piece.
The lineup includes Nelson Coelho on guitar; Gabriel Costa on bass; and Fred Barley on drums plus David Cross on violin.
Bartók in Rock is a deeply intense and beautifully-arranged prog rock album inspired by Béla Bartok.
Percorsi is the title of the first full-length album by Italian progressive rock band Plurima Mundi. It’s an independent release featuring vocals in Italian, which is always welcome.
All the music is composed by fiddler Massimiliano Monopoli, who provides one of the key ingredients of the band: the fiery electric violin. Another essential element is vocalist Grazia Maremonti, who has a gorgeous, passionate voice that sounds classically-trained.
The rest of the band provide the rest of the ingredients familiar in progressive rock, including fine keyboard and guitar work.
The lineup includes Massimiliano Monopoli on electric violin; Massimo Bozza on bass; Grazia Maremonti on vocals; Silvio Silvestre on guitar; Lorenzo Semeraro on piano; and Gianmarco Franchini on drums.
Progressive rock band Djam Karet has released another gem. Sonic Celluloid is envisioned as “sound as cinema.” While the description cinematic quickly comes to mind, this is not a richly orchestral album. Instead, Djam Karet treats the listener to 10 tracks where mellotron, real drums and sequencers are mixed with progressive rock and spacey guitars.
The band reveals that Sonic Celluloid has more minimoogs and mellotrons than any of the previous releases. And it’s pretty evident. Fans of mellotron will really enjoy this album.
The lineup on the album includes Gayle Ellett on electric and acoustic guitars, Greek Bouzouki, Moog, Mellotron, Hammond organ & Rhodes; Chuck Oken, Jr. on drums, analog and digital keyboard sequencing and soundscapes; Henry J. Osborne on bass; Mike Henderson on guitar feedback; Mike Murray on guitar atmospheres and piano; and Aaron Kenyon on bass effects.
Djam Karet continues to impress with their forward-thinking vision of progressive music, fusing well-crafted progressive rock with mesmerizing electronics.
Dai Kaht is a great debut album by a Finnish band deeply inspired by 1970s progressive rock and Zeuhl, the innovative progressive music genre developed by French band Magma. Following Zeuhl tradition, the band members have created their own language, which they use in their songs.
Although the band’s sound definitely draws a lot of ideas from Zeuhl, the sound is more rock oriented, featuring two guitar players; it’s less jazzy and operatic than Magma.
The band members have adopted artistic names in their new language: Alemaahr Kempah (Atte Kemppainen) on vocals and bass; Willargh Shirow (Ville Sirvio) on guitar; Zwerie Stöbah (Tommi Ruotsalainen) on rhythm guitar; and Ozamö Sharif (Osmo Saarinen) on drums, vocals.
Dai Kaht is a remarkable Zeuhl album by a talented prog rock band from Finland with a promising future.
French progressive band Yang released its third album, The Failure of Words, earlier this year. Yang is an instrumental rock quartet that incorporates elements from progressive rock, jazz, hard rock, and world music.
Yang’s pieces are impeccable, exquisitely-crafted works, featuring memorable dual guitar and interplay and masterful creative drums. The guitar and bass interactions use various techniques, ranging from parallel melodies to counterpoints, call and response and looped patterns.
The lineup includes Frédéric L’Épée on guitars, keyboards; Laurent James on guitar; Nico Gómez on bass; and Volodia Brice on drums.
Previous albums include A Complex Nature (Cuneiform Records Rune 197, 2004) and Machines (Yang Music VOC1527, 2010).
Italian progressive music band Deelay has announced the release of its self-titled debut album on AMS Records. The Rome-based trio includes Dario Esposito (Il Balletto di Bronzo ) on drums, Federico Procopio on guitar and Roberto Lo Monaco on bass. The three artists are seasoned session musicians.
The band’s style is a mix of progressive rock, jazz-rock fusion, post rock and ambient textures.
Spanish progressive rock band Kotebel has announced the release of its new album titled Cosmology. The new recording will be available in early July.
Cosmology is dedicated to the musical representation of four concepts of the Cosmos. The album includes several parts of a cosmology suite and Cesar G. Forero’s “Mishima’s Dream.” Also featured, a remastered recreation of “Canto XXVIII,” a composition that Cesar wrote for Dante’s Paradiso, a concept album released in 2010 as part of Colossus’ Divine Comedy, a project that featured numerous progressive rock acts.
Rahul Mukerji – Ma De Re Sha (Rahul Mukerji, 2017)
Ma De Re Sha is a great electric guitar album by Rahul Mukerji, an Indian musician living in the Washington D.C. area. Mukerji combines powerful rock guitar hero licks with jazz-rock fusion, Middle Eastern beats and Indian music influences. He also uses a note bending technique that gives it a South Asian flavor and sets him apart from western guitar players.
The lineup includes Rahul Mukerji on guitars, guitar synth, e-bow, sampling, tabla and drum programming; Bruce Ng on additional drum and percussion programming on all tracks; Ruben Rubio on bass.
Prog rock band Stick Men has revealed the fourth phase of its Prog Noir tour. The concerts will take place in North America from August 12 to September 4, 2017. The album Prog Noir was released in late 2016.
Stick Men includes Tony Levin on stick and vocals; Pat Mastelotto on acoustic and electronic drums and percussion; and Markus Reuter on Touch Guitars AU8, soundscapes and keyboards.
Prog Noir Chapter 4 Tour:
Sat, Aug 12 – Schenectady, NY (The Van Dyke)
Sun, Aug 13 – Asbury Park, NJ (The Saint)
Tue, Aug 15 – New Hope, PA (Havana)
Wed, Aug 16 – Newton, NJ (Newton Theater)
Thu, Aug 17 – New York, NY (The Iridium)
Fri, Aug 18 – Pawling, NY (Daryl’s House)
Sat, Aug 19 – Natick, MA (Natick Center For Arts)
Sun, Aug 20 – Portland, ME (One Longfellow Square)
Tue, Aug 22 – Northampton, MA (The Iron Horse)
Wed, Aug 23 – Burlington, VT (Higher Ground)
Thu, Aug 24 – Montreal QC, Canada (Cafe Campus)
Fri, Aug 25 – Quebec City, QC, Canada (Auditorium du Cégep Garneau)
Sat, Aug 26 – Ottawa, ON, Canada (The Rainbow)
Sun, Aug 27 – Toronto, ON, Canada (The Garrison)
Tue, Aug 29 – Buffalo, NY (Waiting Room)
Wed, Aug 30 – Cleveland, OH (The Beachland Ballroom)
Thu, Aug 31 – Indianapolis, IN (Irving Theater)
Fri, Sep 1 – Chicago, IL (Reggie’s)
Sat, Sep 2 – Milwaukee, WI (Shank Hall)
Sun, Sep 3 – Auburn Hills, Detroit, MI (Callahan’s)
Swedish singer, composer and multi-instrumentalist Nad Sylvan has risen to the top of the progressive rock scene because of his solo work and collaborations with Steve Hackett and Roine Stolt. The Bride Said No is his new solo album and continues the story he initiated with the acclaimed Vampiric album Courting The Widow.
The Bride Said No still has plenty of first class symphonic progressive rock inspired by 1970s bands like Genesis and UK. However, The Bride Said No adds a music theater element and masterful vocal interplay between Nad and his guest lead vocalists Tania Doko and Jade Ell.
Nad Sylvan is a generous vocalist. His albums always provide plenty of space to the virtuoso instrumentalists that participate in his recordings. The most noticeable difference I find in The Bride Said No is that there is less mellotron than in the previous album. However, keyboard lovers don’t despair, Nad and his colleagues provide plenty of succulent synth solos and majestic keyboards throughout the album.
For prog rock guitar fans, track 5 ‘What Have You Done” is true delight. Nearly half the piece features two outstanding, hats off epic electric solos. The first is by the grand master of progressive rock guitar, Steve Hackett. The second solo is by the equally talented Guthrie Govan (The Aristocrats, Asia, Erotic Cakes). But there is more. If you manage to filter out the guitars (which is hard to do because they’re so good), you’ll notice remarkable bass work underneath by yet another master, Tony Levin.
Although Nad Sylvan’s vocals are superb throughout the album, on track 6, ‘Crime Of Passion,’ Nad stands out even more, delivering all vocal parts, lead and backing vocals. Guitars also play a leading role with Steve Hackett again, along with another regular collaborator, one of the busiest and finest guitarists in the prog world, Sweden’s Roine Stolt.
Another favorite is ‘A French kisses in an Italian Café,’ a beautiful laid back song with a trip hop beat that captivates you right away. It’s enriched with beautiful orchestrations by Nad Sylvan, Steve Hackett’s fabulous guitar, Tony Levin’s masterful Chapman stick and bass, and the delightful backing vocals.
The final song on the album is the most theatrical, with attention-grabbing interplay between Nad Sylvan and his female guest vocalists. It’s prog rock meets neosoul. This track has a hidden song. There are over 2 minutes of silence and then a pop song appears.
The lineup includes Nad Sylvan on vocals, keyboards, guitars, orchestrations; Jade Ell on vocals; Sheona Urquhart on vocals and saxophone; Anders Wollbeck on keyboards, programming, orchestration and additional sound design; Tania Doko on vocals; Jonas Reingold on bass; Nick D’Virgilio on drums and percussion; Tony Levin on Chapman Stick and bass; Doane Perry on drums; Alfons Karabuda on waterphone; Steve Hackett on guitar; Guthrie Govan on guitar; and Roine Stolt on guitar.
The Bride Said No is another captivating forward-thinking progressive rock album by the multi-faceted and talented Nad Sylvan.