British progressive symphonic rock band The Enid has a new album titled Live At The Citadel, recorded in St. Helens, October 2017.
The live performance includes classic and recent the Enid musical pieces, including Mayday Galliard, Ondine, When the World is Full, Death, The Lovers, Cortege, Humoresque, Spring, Fand, and Chaldean Crossing.
The lineup includes Robert John Godfrey on keyboards, Zachary Bullock on keyboards and Jason Ducker on guitars.
Suspiria was originally released in 1977. The new set is available in two versions, a standard edition and a limited 150 copy hand-numbered edition.
Both versions contain a faithful reproduction of the original soundtrack in LP format and MC; a 10-inch LP with rare and unreleased tracks on clear red vinyl; a CD + DVD set. The CD includes the original soundtrack with bonus tracks, while the DVD carries a documentary with interviews with Dario Argento and Goblin.
The set also features two 64-page books, in Italian and English language, with detailed analysis of the “Suspiria” movie and soundtrack, written by Fabio Capuzzo.
The limited ‘peacock version’ contains a foam interior exclusive design with a carved “Suspiria” logo; a certificate of authenticity; and an exclusive handcrafted ‘peacock feather stiletto,’ reproducing an object handled by the protagonist Suzy in the final scenes of the movie.
New progressive rock supergroup is scheduled to perform at Night of the Prog on July 14, 2018. The Sea Within includes acclaimed guitarist Roine Stolt (Transatlantic, The Flower Kings), Daniel Gildenlöw (Pain of Salvation), Jonas Reingold (The Flower Kings, The Tangent), Tom Brislin (Renaissance, Yes Symphonic, Deborah Harry) and Marco Minnemann (Steven Wilson, UK, Joe Satriani).
The Sea Within is currently recording its debut album.
Night of the Prog Festival will take place from July 13-15, 2018 on the festival grounds of the Loreley Amphitheater in St. Goarshausen, Germany.
American progressive rock band Kansas has gone through numerous personnel changes. The current generation of Kansas is a well-oiled machine featuring a mix of original band members like drummer Phil Ehart and guitarist Williams along with new talented musicians and former band members from different stages that have returned.
Although the most recent Kansas recording has strayed away from progressive rock, Leftoverture Live & Beyond is a tribute to some of the band’s finest material, which happens to be from the progressive rock era. Kansas was characterized among other things by the use of the violin and the violin is back in the hands of David Ragsdale.
New vocalist Ronnie Platt does a great job, performing the band’s most iconic songs.
With the classic era prog-rock leaning song selection and being a live album, Kansas treats the listener to an instrumental fest of fiery electric guitars, keyboards and violin.
The landmark “Leftoverture” album is performed in its entirety.
“Leftoverture Live & Beyond” is available as a double CD digipak, four 180 Gram Vinyl boxed set, and digital format.
The great jazz-rock guitarist John McLaughlin treats the listener to a set of live pieces recorded with his most recent band, the 4th Dimension. Live at Ronnie Scott’s presents a collection of musical pieces that span McLaughlin’s career. The album includes two superb (and memorable) compositions from the Mahavishnu Orchestra era: “Vital Transformation” (from Inner Mounting Flame) and “Miles Beyond” (from Birds of Fire).
Live at Ronnie Scott’s includes a recently composed, dazzling electric flamenco piece titled “El Hombre Que Sabía.” It’s a tribute to his colleague and friend Paco de Lucia, who passed away in 2014.
John McLaughlin’s diversity is expressed through his fusion of jazz, rock and global music elements from India and other parts of the world. Live at Ronnie Scott’s includes a fabulous blues track titled “Gaza City” that has a Middle Eastern flavor.
Throughout Live at Ronnie Scott’s, McLaughlin performs his spectacular guitar solos and improvisations. Meanwhile, the 4th Dimension is a remarkable group of musicians who are some of the finest instrumentalists in the genre. It’s a multinational ensemble featuring British synthesizer wizard and drummer Gary Husband; masterful Indian drummer Ranjit Barot; and Cameroonian bass virtuoso Etienne M’Bappé.
Ronnie Scott’s holds a special significance in McLaughlin’s career. It’s a London jazz club where McLaughlin performed as a member of the club’s house band in the 1960s. It’s a brilliant homecoming. He has returned as one the greatest jazz guitarists of all time and a highly influential musician who has taken jazz and the electric guitar to new dimensions.
London-based composer and keyboardist Daniel Biro has a superb new album titled 120 Onetwenty, scheduled for release in early 2018.
Daniel Biro brings together three of the greatest progressive music traditions: Berlin-style electronics, prog rock synths and jazz fusion keyboards.
Throughout 120 Onetwenty, Biro develops transfixing electronic sequences inspired by early Tangerine Dream, Klaus Schulze and other iconic German artists. Additionally, Biro creates awe-inspiring atmospheres and tops it off with memorable synth solos and his signature Rhodes electric piano jazz-rock work.
120 Onetwenty is a remarkable instrumental album that strolls with ease and charm between electronica and progressive fusion.
Dark progressive rock band L’albero del veleno has a new album titled “Tale of a Dark Fate.” The Italian band is deeply inspired by horror movies from the 1960s through the 1980s and Italian bands like Goblin and various Italian horror film composers.
The current lineup includes Nadin Petricelli on keyboards; Lorenzo Picchi on guitars; Michele Andreuccetti on bass; and Marco Brenzini on flute.
Lucas Lee – Acceptances of Gravitational Collapsing Manifestations (LucasLeeMusic, 2017)
Multi-instrumentalist Lucas Lee showcases his multifaceted progressive music compositions on Acceptances of Gravitational Collapsing Manifestations. Lucas Lee is a formidable musician, deeply inspired by progressive rock and fusion. His style sometimes sounds like a 21st century version of Canterbury masters National Health.
Lucas Lee plays practically all instruments on Acceptances of Gravitational Collapsing Manifestations, except for drums. On the guitar, Lucas Lee switches from skilled jazz fusion techniques to inspired Joe Satriani-style shredding and ambient and avant-garde explorations. Lee also dominates the violin and keyboards, delivering notable piano and electronic keyboard segments. Additionally, Lee uses effects and spoken word to create a superb mix of forward thinking progressive music.
Although some of the promotional material mentions hard rock and metal, do not fear, there is practically no heavy metal.
The drumming couldn’t get better. Drums are played by Marco Minnemann, one of the best and busiest drummers in the progressive rock and fusion music scenes.
Acceptances of Gravitational Collapsing Manifestations features lots of rhythmic and harmonic changes and opportunities for the musicians to have some fun.
Il Paradiso Degli Orchi is a new progressive rock band from Brescia in northern Italy that has attracted a lot of attention. Il Corponauta is the band’s second album, based on Il Corponauta, a book by the late Flavio Emer.
With the assistance of rock progressivo italiano icon, musician and producer Fabio Zuffanti, Il Paradiso Degli Orchi delivers a formidable, masterfully-crafted album.
From the very beginning, Il Paradiso Degli Orchi engages the listener with superb layers and mellotron, guitars, drums and assorted percussion. The vocals are in Italian, which always adds to the charm of Italian bands.
The instrumental skills are what stands out in Il Paradiso Degli Orchi with great interplay between the guitars, flute, keyboards and bass, supported by creative rhythms.
Stylistically, Il Paradiso Degli Orchi incorporates exquisite, classic progressive rock of an epic nature, jazz fusion, forward-thinking electronica and some Italian folk music inspirations. Influences include prog rock era-Yes, Banco, King Crimson, PFM and Jethro Tull.
Il Corponauta is a long album with a mix of short songs and extensive pieces, including an 18-minute long suite and the final epic aptly titled Il Gran Finale with guitar and mellotron that will send chills down the spine of progressive rock fans.
The lineup includes Marco DeGiacomi on drums and vocals; Michele Sambrici on guitars, keyboards, mellotron and vocals; Andrea Corti on bass; Sven Jorgensen on lead vocals and guitars; Stefano Corti on percussion; and Andrea Calzoni on flute and saxophone. Guests: Iran Fertonani on percussion; and Giorgio Presti on synthesizer.