Cascades is the remastered edition of the 2015 atmospheric album by British guitarist Dan Caine. He specializes in ambient, contemplative guitar sounds, intertwining melodies and mesmerizing electronic arrangements.
Psychedelic progressive band After Nations has announced the release of a new album titled Consteleid, scheduled for release on August 1st.
Guitarist Andrew Elliott said about the new recording: “This is definitely our most ambitious work to date. I’ve really focused the past few years trying to develop as both a song-writer and guitarist, and in working with Travis and Zack to create something that feels like it represents where we are musically. I think the ideas and themes all feel more developed, more mature, more focused – and the album feels more expansive in the sonic ground it covers. I hope people will experience and feel that when they hear it.”
The band will be presenting the new album across the US Midwest, southwest, and West Coast later this summer. This time they’ll be joined by an additional guitarist, David Sandoval (Eat the Sun, Chaff, Kenaima).
“In the past, I’ve written guitar parts for albums that I have to condense down for live performances,” says Andrew Elliott. “I couldn’t play everything that’s there, it’s just not possible, so I’d focus on critical parts and cut other things. With this album, I just didn’t feel we could do that. The writing is all interdependent; everything has a place, every part is serving the music. It just doesn’t have the same energy, feeling, or texture without all of it being played live. So I reached out to Dave – an incredible musician and friend from past tours – and asked him if he’d want to join us. He was down, and here we are.”
8/17 Lawrence, KS at Replay Lounge
8/18 Colorado Springs, CO at Triple Nickel
8/19 Denver, CO at 7th Circle
8/21 Salt Lake City, UT at The Underground
8/22 Boise, ID at The Olympic
8/23 Salem, OR at The Space
8/24 Portland, OR at Kenton Club
8/25 Seattle, WA at The Central
8/29 Oakland, CA at Elbo Room
8/30 Las Vegas, NV at TBA
8/31 Phoenix, AZ at Rogue
9/1 Albuquerque, NM at TBA
The Slow Rust of Forgotten Machinery is an album released in 2017 by The Tangent, one of the finest progressive rock acts in recent years. The band is led by keyboardist, composer, vocalist and drummer Andy Tillison. It’s a splendid recording that features some of the finest musicians in the European scene.
This is progressive rock in its supreme form. Tillison is a masterful keyboardist and orchestrator. In addition to state of the art symphonic progressive rock and jazz-rock rich in keyboards, he adds elements of funk, soul and even Santana-style Latin rock. Wildly eclectic and deeply satisfying.
The Tangent always attracts some of the finest players in the current scene. On this album, the band features the great guitar hero of our time, Luke Machin. His chameleonic guitar style is out of this world, ranging from knockout shredding to exquisite solos.
Other members include bass virtuoso Jonas Reingold, saxophonist and flutist Theo Travis, and Marie-Eve de Gaultier (from Luke Machin’s band Maschine) on keyboards and vocals.
The album only has 5 tracks and four of them are lengthy epics packed with instrumental goodness that flow beautifully. Andy Tillison cares about of the world and its ecosystems. His lyrics make reference to the endangered wild animals; the sorry state of mass media and fake news; and other equally important topics.
The Slow Rust of Forgotten Machinery is a progressive rock masterpiece. It demonstrates that The Tangent is in perfect shape.
Union is an instrumental album highlighting the guitar work of Brazilian musician and composer Daniel Santiago. The album has edgy electric guitar and electronic keyboards. At the same, it is very accessible and laid back. It’s an album that is eclectic and energetic enough to please fusion fans and the smooth jazz market as well.
The lineup on Union includes Daniel Santiago on acoustic and electric guitar, synth bass, keyboards and vocals; Pedro Martins on keyboards; Shai Maestro on piano; Frederico Heliodoro on bass; Rafael Vernet on keyboards; Thiago Rabello on drums; Gregoire Maret on harmonica; Antonio Loureiro on drums; Renato Galvao on drums; and Ricardo Braga on percussion.
Union is a delightful, masterfully-crafted album where jazz, fusion and Brazilian music find a common ground.
Groundbreaking electric violinist David Cross, best known for his work with King Crimson, has released a new album titled Crossing The Tracks this month. This album is an unconventional project for Cross. Cleopatra Records and German producer/composer Jürgen Engler approached him to complete 12 tracks by Engler and some well-known songwriters.
Crossing The Tracks is a mix of progressive rock instrumentals featuring superb electric violin solo work and electronic arrangements; and songs that highlight female vocalists.
The most captivating pieces are the instrumental performances, which is where Cross gets to showcase his talent as an instrumentalist, adding the melodies, string sections and electric violin solos.
The two vocal tracks that stand out are the ones featuring the late Yemenite-Israeli vocalist Ofra Haza and the Dead Can dance-flavored song with Sonja Kraushofer. The world music air goes well with the electric violin and electronic keyboards.
Superfjord – All Will Be Golden (Svart Records, 2018)
All Will Be Golden is the second album by Finnish psychedelic rock band Superfjord, scheduled for release September 21, 2018. The band plays a superb mix of Pink Floyd-inspired space rock, progressive jam rock, trance music and mantra chants
The band includes Jussi Ristikaarto on guitars, electronics, vocals; Mikko Kapanen on guitar, vocals, percussion; Ilari Kivelä on drums, percussion; Teemu Soininen on bass; Juho Ojala on keyboards; and Jussi Peevo on drums, percussion.
All Will Be Golden is a mesmerizing album by a rising talent in the field of progressive psychedelic rock.
Losing Sight of What You Want is the debut album by The Hague-based Dutch rock band The Dame. The group is inspired by the sexy, elegant women and stylish men of the early 20th century. The group is fronted by vocalist and lyricist Marian van Charante and guitarist and composer Stephen de Ruijter.
Although The Dame describes itself as a progressive rock band, the first four tracks on the albums feature a mix of classic rock, folk-rock and blues influences, showcasing the soulful vocals of Marian van Charante and the notable guitar work of Stephen de Ruijter.
On the final three tracks, we get to enjoy the progressive rock side of the band. The title track “Losing Sight of What You Want” has remarkable, nuanced vocal work and highly satisfying electric guitar and Pink Floydish prog rock arrangements.
The music gets enjoyably eerie and phantasmagoric with “Thy Father’s Bidding,” a fine example of dark progressive rock and a top candidate for the upcoming Halloween prog rock playlist.
The album closes with yet another progressive rock beauty, a suite titled “Conveniently Distant,” in which The Dame once more delivers the progressive rock goods in high fashion with notable vocal, guitar and ensemble work.
The Dame includes Marian van Charante on lead and backing vocals, guitar; Stephen de Ruijter on lead guitar; Michel Krempel on bass; Thijs de Ruijter on keyboards; and Ruben Meibergen on drums.
Losing Sight of What You Want is a stylish debut album by The Dame, a rising act in the European progressive rock scene.
The Similitude of a Dream: Live in Tilburg 2017 is a four disc set with two audio CDs and two DVDs featuring the powerhouse progressive rock act The Neal Morse Band. The band did a worldwide tour in 2017 and this performance in Tilburg (The Netherlands) is a live presentation of the concept studio album The Similitude of a Dream that was released in 2016.
On The Similitude of a Dream: Live in Tilburg 2017 you’ll find five outstanding instrumentalists. The music is a combination of epic progressive rock, classic rock and Christian ballads. The instrumental passages are top notch, with brilliant ensemble and solo work and the climactic sections that progressive rock fans enjoy so much. The vocal parts, on the other hand, are catchy, with plenty of pop hooks and sing along sections.
Religion plays an important role in Neal Morse’s life. The Similitude of a Dream is loosely based on a Christian allegory by John Bunyan called The Pilgrim’s Progress. This means that you’ll find Christian lyrics and messages throughout the album. I don’t think Neal Morse is trying to push any agenda, it is just a reflection of his current stage in life.
The lineup includes Neal Morse on lead vocals, keyboards, and guitars; Mike Portnoy on drums and vocals; Randy George on bass, bass pedals and vocals; Bill Hubauer on keyboards, mandolin, saxophone and vocals; and Eric Gillette on guitars and vocals.
The set is also available on Blu-Ray and digital download audio.
Remedium is the first solo album by singer-songwriter Laura Meade, the IZZ vocalist. While IZZ plays progressive rock, Remedium is an elaborate album that incorporates theatrical, experimental and accessible avant-garde influences.
Laura Meade demonstrates her talent as a songwriter and vocalist with beautifully-constructed songs in which she uses a wide-range of meaningful vocal techniques and overdubs. She’s joined by her colleagues from IZZ on keyboards, guitars, bass, drums and electronic beats who occasionally add some progressive rock instrumental moments.
Remedium showcases the music of a superb vocalist who explores sounds beyond the tired mainstream.
A group of superb musicians from the jazz fusion and world music scenes got together in La Casa Murada studio in northeastern Spain in 2017. What they recorded is Rumah Batu, an extraordinary genre defying album that combines progressive jazz, Indonesian music, flamenco and other influences.
Indonesian pianist, composer and producer Dwiki Dharmawan is an acclaimed maestro, known for his eclectic music work and openness. In La Casa Murada, he was joined by a stellar group of musical colleagues: Vietnamese-French electric guitar wizard and note-bending innovator Nguyên Lê; famed Spanish flamenco fretless bass player Carles Benavent (Paco de Lucia’s bass player); and the formidable rhythm section of UK-based bassist Yaron Stavi and drummer Asaf Sirkis.
Although most of the album was recorded in Spain, additional musicians were recorded in Indonesia, adding a strong Southeast Asian essence to the album: Indonesian suling flute virtuoso Sa’at Syah; Ade Rudiana on kendang percussion; Dewi Gita on lead vocals; Teuku Hariansya & Indra Maulana Keubitbit on Rapa’I Acehnese percussions; Nyoman Windha’s Gamelan Jass Jegog Balinese gamelan and percussion; and Smit on vocals and LaLove traditional Sulawesi flute.
Although the majority of the album is instrumental, track three features the mesmerizing and evocative vocals of Dewi Gita.
Rumah Batu is an exceptionally expressive and imaginative album featuring an impeccable kaleidoscope of jazz and Indonesian sounds.