Alizarin is an instrumental rock trio from Los Angeles. On their album Cast Zenith, the band delivers a fabulous set of tracks that showcase the talent of guitar wizard Josh Kay, supported by a formidable rhythm section that includes Jon Damon on drums and Steve Ostaszewski on bass.
The music ranges from progressive rock to fusion, and guitar-hero rock. Although the music gets very intense at times, thankfully there is no prog metal.
Acclaimed keyboardist Adam Holzman makes a guest appearance, playing synths on two tracks.
Indonesian guitarist Dewa Budjana continues to demonstrate why he’s one of the finest guitarists in the jazz and rock scenes. He’s a prolific artist who has recorded and collaborated with some of the biggest names in the progressive jazz and rock fields.
Dewa Budjana has explored various musical genres in past albums. On Mahandini, he incorporates harder edged music. He rocks out throughout the album with a dazzling mix of progressive rock, jazz fusion, Indian vocal percussion (konnakol), transfixing Balinese traditional music and some hard rock.
His colleagues this time are multi-faceted keyboardist Jordan Rudess (Dream Theater), Marco Minnemann (The Aristocrats, Steven Wilson, Joe Satriani), and extraordinary Indian bassist and rising talent Mohini Dey.
The guests include the unmistakable vocals of rock star John Frusciante (Red Hot Chilli Peppers) on two tracks, fusion guitar virtuoso Mike Stern (Miles Davis, Blood, Sweat & Tears, Billy Cobham, Jaco Pastorius) and the enchanting vocals of Indonesian singer Soimah.
Dewa Budjana’s wide range of guitar sounds and techniques is truly impressive with masterfully-crafted melodies and solos, spectacular shredding and exquisite slide guitar.
Per Mathisen, Jan Gunnar Hoff and Horacio “El Negro” Hernández – Barxeta II (Losen Records, 2018)
The Barxeta series revolves around two exceptional instrumentalists and composers, bassist Per Mathisen and keyboardist Jan Gunnar Hoff. This is state of the art jazz fusion featuring outstanding instrumental performances inspired by some of the finest acts: Return to Forever, Weather Report, Pat Metheny, and others.
On Barxeta, rhythm is also essential. On volume II, Hoff and Mathisen invited Cuban maestro Horacio “El Negro” Hernández, one of the most reputable drummers in the jazz and Cuban music scene. Horacio’s drums are a perfect fit.
Throughout the album, the listener is treated to masterful bass work, captivating piano and superb synthesizer work by Jan Gunnar Hoff, and the creative drumming of Horacio “El Negro” Hernández.
Barxeta is a recording studio in eastern Spain and a great place to realize the ideas of this talented group of musicians. Per Mathisen promises more Barxeta releases in the next years.
Dina El Wedidi – Slumber (Kirkelig Kulturverksted, 2018)
Egyptian artist Dina El Wedidi is known as a vocalist, composer and percussionist who performs world music rooted in Egyptian tradition. Her new album Slumber takes her in a totally new direction.
On Slumber, Dina El Wedidi enters the world of electronic music and sound experimentation in the studio. For two years, she worked with the sounds from various Egyptian train stations, people in the streets and moving trains, including train whistles. The result is a set of electronically processed music featuring ambient music layers, trance-like percussion generated by trains and Dina El Wedidi’s dream-like vocals.
Yessongs – 40th Anniversary Special Edition is the Blu-ray release of the iconic movie Yessongs by progressive rock stars Yes. The movie was filmed in 1972 at London’s Rainbow Theatre. It was originally released theatrically in the UK the following year with a quadrophonic soundtrack.
At the time, Yes was a consolidated superband, with a new lineup featuring some of the finest artists in the British progressive rock scene: vocalist and songwriter Jon Anderson, bassist Chris Squire, guitarist Steve Howe, keyboardist Rick Wakeman and drummer Alan White.
The material on Yessongs – 40th Anniversary Special Edition includes some of early Yes’ essential musical pieces: All Good People, And You And I, Roundabout, and Yours Is No Disgrace.
The group had evolved into a symphonic progressive rock powerhouse. The performances include the previously mentioned full band pieces and solo segments by Steve Howe and Rick Wakeman showcasing their guitar and keyboard arsenals and virtuosity. It’s fun to watch the outfits of the time, with Chris Squire and Rick Wakeman wearing capes.
In addition to the restored film, this edition includes a 2012 documentary with Steve Howe, graphic designer Roger Dean (who designed the cover) and Chris Squire.
Yessongs is one of the essential music films of the early 1970s.
Arrive Without Leaving is a fascinating collaboration that brings together various artists involved with acoustic and electronic ambient music, minimalism and sounds explorations.
On Arrive Without Leaving, Laraaji, Arji OceAnanda and Dallas Acid take the listener on a spellbinding voyage through mesmeric music, combining evolving electronic layers, mystical flutes and Laraaji’s signature sound on the electrified zither.
The lineup includes Laraaji on electrified zither, mbira, percussion, electronics, voice, ThumbJam electric violin, samples; Arji OceAnanda on percussion, ThumbJam strings, ThumbJam flute, Peruvian cacho seed pods, hand chimes, mbira, shakers; and Dallas Acid, featuring Linda Beecroft on steel tongue drum, gong; Michael Gerner on Moog synthesizers and Mellotron; and Christian Havins
Pn Moog synthesizers and Mellotron.
Accident Prone is the latest recording by British progressive act Psychoyogi. The band’s style cuts across various musical genres, incorporating a wide range of influences and moods, including progressive rock, jazz and avant-garde expressions.
The vocal style is unique, sometimes more spoken word than traditional singing, with socially-conscious lyrics that cast doubt on western social values.
Psychoyogi’s sound mostly revolves around the quirky interaction between the guitar and saxophone and rhythm section. You’ll hear echoes of Henry Cow, Adrian Belew-era King Crimson and even some Canterbury minus the keyboards.
The band lineup includes Chris Ramsing on guitar and vocals; Justin Casey on drums and percussion; Izzy Stylish on bass; and John Macnaughton on alto and tenor sax.
The 2019 edition of Cruise to the Edge will take place February 4-9, sailing from Tampa and Key West to Cozumel. Cruise to the Edge is the mammoth progressive rock festival held in a cruise ship.
The lineup includes some of the finest progressive rock acts spanning several generations, including Steve Hackett, The Sea Within, Jordan Rudess, Pendragon, Focus, District 97, Rachel Flowers and many other great acts. The programming also includes heavy metal band Haken.
Senki madara is the third album by Hungarian progressive rock band Yesterdays. On this new recording, Yesterdays delivers a superb mix of classic symphonic progressive rock with Hungarian folk music. The approach of this concept is to take traditional folk songs and recreate them with 1970’s-style progressive rock arrangements.
The multifaceted mix works seamlessly. The progressive rock influences include some of the most iconic acts of the first wave of prog bands: Yes, King Crimson, Pink Floyd, Genesis and Camel. You’ll find a delightful combination of Hungarian vocals and vintage keyboards, including the revered mellotron.
Yesterdays is a Hungarian symphonic progressive rock band based in Carei, Romania, led by Bogáti-Bokor Ákos. Yesterdays’ previous albums include Colours Caffé (2010) and A szavakon túl (2009).
The lineup includes Stephanie Semeniuc on lead and backing vocals; Bogáti-Bokor Ákos on acoustic and electric guitars, bass, fretless bass, mellotron, Hammond organ, piano, Moog, synthesizers, percussion, backing vocals; Enyedi Zsolt on piano, Hammond, Moog, synthesizers; Fehér Róbert Benjamin on acoustic and electric guitars, backing vocals; Kecskeméti Gábor on flute; Kósa Dávid on percussion and vocals; and Szűcs József on drums.
Special guests: Szirtes Edina Mókus on lead vocals; Tarsoly Csenge on lead and backing vocals; Bogáti-Bokor Orsolya on violin and viola; Márton-Sípos Dóra on cello.
Italian progressive symphonic rock band Syndone has matured into one of the finest acts in the European scene. The band’s style is a mix of symphonic rock and jazz-rock fusion that revolves around the sounds of multiple electronic keyboards, sometimes exquisitely distorted; the mesmerizing vibraphone; glorious chamber music strings; and charismatic, theatrical vocals.
The concept album Mysoginia (Misogyny) is Syndone’s seventh album. Vocalist and lyricist Riccardo Ruggeri describes the spirit of the album: “It emerges from its very single word, from people’s reactions, through certain looks, from a grimace. Humanity and its fight against female sex. Misogyny – of men and women – against those who can damage the power, against those who can give life but aren’t able to give love. A crime destined to go on for centuries, in which we are all immersed and accomplices. A story we must not forget, to respect all the victims and all the heroines. A tribute to those women who have suffered violence in our blind, bully and ignorant society. From Caterina de Medici to Ipazia… Look at yourself in the mirror, you cowardly man! You woman daughter of a cold mother! And rip out this evil from your heart!”
The current lineup includes composer Nik Comoglio on keyboards; Riccardo Ruggeri on vocals and acoustic guitar; Maurino Dellacqua on bass and Taurus bass; Marta Caldara on vibraphone and keyboards; Gigi Rivetti on keyboards; and Martino Malacrida on drums.