Despite the band name, the Chinese-style artwork and even some of the music, this is not a Chinese act. Instead it’s a progressive music project that brings together composer and multi-instrumentalist Jon Davis, three members of American progressive rock band Moraine and a jazz drummer.
The result is fabulous cocktail that crosses numerous music boundaries. There is electronica, progressive rock, avant-garde music, jazz-rock and world music with a Chinese edge.
Jon Davis delights the listener with his collection of multi-dimensional music instruments: Chapman stick, guzheng (Chinese zither), mellotron and synthesizer.
In addition to the music itself, Zhongyu also experiments with sound. Instrumentalist Jon Davis plugs the guzheng into a modular synthesizer and processes a bass clarinet through a wah-wah pedal.
The album lineup includes Jon Davis on Chapman Stick, guzheng, Mellotron, ARP 2600; Dennis Rea on electric guitar, resonator guitar; Alicia DeJoie on electric violin; James DeJoie on baritone saxophone, flute, bass clarinet; and Randy Doak on drums and percussion. Special guest: Daniel Barry on trumpet.
Zhongyu is an exceptionally good, multi-faceted progressive music album.
Focus became popular with a series of popular songs and instrumentals that crossed over into the mainstream: “Hocus Pocus”, “Sylvia” and “House Of The King”. After the reunion of Focus and the release of the Focus 8 album, the band toured the world and was introduced to new musical styles and influences such as jazz and Afro-Brazilian music. The line-up on this album includes Thijs Van Leer, Pierre Van Der Linden, Bobby Jacobs and Jan Dum E.
The sessions for the album were all recorded in between South American tour commitments during 2005, and every track is a previously unreleased composition by the members of Focus or producer Marvio Ciribelli.
The album features all-star Brazilian musicians including Arthur Maia and Mario Seve.
To celebrate 15th years of MoonJune Records and to celebrate the legacy of Alberto Bino Bonomi, MoonJune Records is offering a Free download of Duty Free Area’s (D.F.A.) celebrated live album “Work In Progress Live”. This special offer is valid until Sunday, June 26. “Despite the band’s semi-legendary status in the progressive rock circuits, many fans of the genre are still unaware of this truly fantastic band, and of the great talent of Alberto Bonomi,” says Leonardo Pavkovic, MoonJune Records.
Leonardo indicates that MoonJune Records started on June 23rd 2001, on the first day of the third annual progressive rock festival NEARFest, in Bethlehem, Pennsylvania; the first public appearance as a new record label and one of the festival’s vendors. Exactly one year before, at the second annual NEARFest,Leonardo discovered what became one of his favorite acts, and one of the label’s most celebrated bands, the progressive rock fusion quartet from Verona (Italy), Duty Free Area, known as D.F.A.
After the release of the studio album 4th in 2008, another of the great and critically acclaimed MoonJune’s albums in the label’s 15 years history, a tragic event marked the end of the band’s career. Alberto Bonomi, D.F.A.’s keyboardist, and with the drummer Alberto De Grandis, the band’s main composer, died in a car accident on Sunday, June 28th, 2011, at the age of 48.
Argentine violin virtuoso Sergio Poli recently released a jazz-rock fusion album titled Luna de Hielo. He talked to Progressive Rock Central about the new album and his musical background.
When did you start learning to play music?
I come from a family of musicians, starting from my grandfather and my father who were bassists. Basically, a classical orchestra background but also with some forays into tango and, in the case of my grandfather, jazz. So practically naturally I found myself taking violin lessons at 7. I think I didn’t choose it; it was rather a suggestion by my father (I already had an older brother who played the cello). But what I do remember is that it was love at first sight. That as soon as I took my first steps, I knew that it would be the instrument that would accompany me all my life.
How many violins do you play?
I have a very old violin, from the early nineteenth century, which is what I use to sound “acoustic”, and I usually use two more, one with a Barcus Berry brand bridge (with microphone) installed, and an electric 5-string manufactured in Argentina by Urbanstrings. I also use a bow by Italy-based Argentine luthier Carlos Roberts and one made out of carbon.
What effects do you use?
Compressor, overdrive, wah wah, chorus, phase, octaver, delay, reverb, loop station. I hope I don’t forget one, haha!
Your latest album is titled Luna de Hielo (Moon Ice). What’s the story behind the title?
Just like I’m keeping things loose to use when composing (it could be a melodic gesture, a rhythm, a succession of chords), say, like a notepad of ideas that I reach for when I need them, sometimes I do the same with ideas for titles of songs. In some cases the musical pieces are born with the title already defined, in others it’s not.
There is an old tale in the book Misteriosa Buenos Aires by Argentine writer Manuel Mujica Lainez, “La escalera de mármol”, (The marble staircase) where the character is the alleged son of Marie Antoinette and Louis XVI, who didn’t die in 1795, and instead the legend says he came to Argentina’s shores. In that story there is an image that struck me very hard, the author says something like the king’s son went to the marble staircase and “the dauphine’s dogs howl at the ice moon”. That’s all; I really liked that image of an icy moon in a clear sky.
Which musicians did you work with to carry out the project?
Basically the ensemble with which we have been playing for several years: Pablo Murgier Pazdera on keyboards, Maxi Abal on guitars, Jonatan Schenone on bass, Daniel Viera on drums and Potolo Abrego on percussion.
If anyone is interested in buying the album, where can they purchase it?
It is available in digital format on iTunes, Amazon, and several other online shopping platforms, and also on Spotify. As far as the physical disk, you can get it at some record stores in Argentina.
Argentina has produced very high level fusion musicians. How is the scene now?
If by fusion we understand a wide net, there are many composers and groups carrying out absolutely new projects, some closer to folk rhythms, such as Aca Seca Trio or Cuarto Elemento; some more linked to tango, like the Diego Schissi quintet; or something closer to jazz or the River Plate feel, like what Juan Pollo Raffo is doing. And this is just a quick list; the outlook is encouraging.
If you could bring together musicians or your ideal groups, who would call?
If we talk about fusion, let’s go to the obvious, those groups that marked directions in the 70s, Weather Report, Mahavishnu Orchestra, Return to Forever. Not to mention the father of contemporary violin named Jean-Luc Ponty.
What music are you listening to now?
I am very disorganized with my listening. These days I’m listening a lot to Radiohead’s new album, or a band that I love which is Primus. But as I said, I go back and forth all the time to what I listen to, and I can listen to both the tango scene as well as Italian opera. Do not forget it was my first love, and I worked 30 years in the Orchestra of the Teatro Argentino de La Plata.
What do you like to do during your free time?
Read and listen to music. Traveling with my family.
What country or countries would you like to visit?
I played twice in Spain but I’d like to go with more time to explore a little more; a country that has fascinated me. And I don’t know Germany, England, France or Italy, to name a few.
If someone traveled to La Plata, what sites you recommend to go sightseeing, to eat or listen to music?
There is substantial cultural activity in La Plata and it is a city full of cultural centers and bars where music is made.
“Ciudad Vieja” is a traditional place with over ten years making good music. Fine cuisine, and above all, very good sound. In Ciudad Vieja is where we recorded the CD live Ice Moon.
“La Mulata, bar y arte” is another option.
There is a bar called “Rey Lagarto” (Lizard King) in which every Thursday they develop the “Ciclomovil Jazz” in La Plata. Another place with an exceptional scene.
And there is an underground rock joint called “Pura Vida”, which is now going through some building code problems with the city. It is a place that accommodates all expressions more or less linked to rock. Hopefully soon they’ll again operate at full capacity.
What other projects do you have?
I have the Sergio Poli Quinteto de Cuerdas (Sergio Poli String Quintet), which I define as “popular music in academic format” because with a classical format we perform a wide repertoire that ranges from tango to rock, along with Egberto Gismonti, Michael Jackson, The Beatles, etc.
Los Salieris de Django (2002) with Cordal Swing.
Grappelliana (2005) with Cordal Swing.
Señales de Humo (2007) Y en eso estamos (2009)
Canícula Metrópolis (2012) Luna de Hielo (2016)
Brazilian jazz-rock fusion band Azymuth has reissued its fundamental 1980 album ‘Outubro,’ mixed and mastered from the original tapes and pressed onto 180g vinyl. This new edition is also available on CD and digitally.
Outubro began Azymuth’s series of prolific output for Milestone Records throughout the 1980s. Typifying the consummate craftsmanship of the three members’ performances – each with such distinct personality and together so perfectly balanced – together they color the expressionist fusion of samba rhythm, jazz progression, funk attitude and psychedelic electronics.
Azymuth will be playing at Dekmantel Festival Amsterdam on August 4-7th together with a star studded lineup that includes Tony Allen, Theo Parrish and Jeff Mills. Azimith will embark on a European tour in October/ November 2016 to support the release of their forthcoming album release.
Argentine electric violinist Sergio Poli has a new album titled Luna de Hielo. The violin virtuoso recorded Luna de Hielo live at the Ciudad Vieja bar and club. Poli plays a mix of straight ahead jazz-rock fusion, funk jazz, and world music styles.
Luna de Hielo was crowdfunded and showcases the talent of some of the finest musicians in the Argentine fusion scene. The album features a well-balanced combination of high energy pieces and mesmerizing slow tempo material such as the beautiful “Apuntes de invierno” that displays the talent of Poli’s violin and bassist Jonatan Schenone, who delivers a captivating solo.
At times, Poli directs his attention towards other genres and rhythms. Om “Policamdombe” he adds Afro-Uruguayan candombe beats. And “Carito” incorporates flamenco in the form of the bulerias subgenre.
On “Sinergia” and “Postsagio”, guitarist Maxi Abal demonstrates his skill with notable guitar work.
On the title track, “Luna de Hielo,” Poli extracts various captivating sounds out of his violin.
The lineup on the album includes Sergio Poli on violins; Pablo Murgier Pazdera on keyboards; Maxi Abal on guitars; Jonatan Schenone on bass; Daniel Viera on drums; and Potolo Abrego on percussion.
Luna de Hielo highlights the work of Sergio Poli, one of the emerging jazz-rock fusion talents from South America.
Sputnik is a Canadian band heavily influenced by progressive jazz-rock and funk. The instrumental quartet features two electric guitarists, a bass player and drummer. Having two virtuoso guitar players, Barry G. Player and Tristan Rivers, allows the band to showcase a series of impressive solos and memorable instrumental interplay.
Bass player Leigh Fischer and drummer Doug Northcott also get various opportunities to demonstrate their talent.
The guitarists use various guitar-playing techniques that range from Alan Holdsworth-style soloing to rhythm guitar and spectacular shredding. The band’s name, album artwork and the titles of the musical pieces clearly indicate that the band’s music is inspired by the cosmos.
Parallax, Vol. I is an extraordinary fusion album featuring stellar jazz-rock instrumental performances supported by muscular interstellar funk.
Virtuoso pianist, composer and arranger Sri “Aga” Hanuraga is part of the new wave of outstanding Indonesian musicians involved with jazz, jazz-rock and progressive rock. On To the Universe, Sri “Aga” Hanuraga uses a classic jazz combo trio featuring piano, bass and drums. Within the album, Sri “Aga” Hanuraga showcases three distinct styles that have jazz as the common language.
During most of To the Universe, Sri “Aga” Hanuraga plays straight ahead contemporary jazz. However, the Indonesian influences are evident in several of the pieces, especially if you pay attention to the piano melodies and the flute solos performed by guest Rodrigo Parejo Mateos.
On the three part suite, “Ever Changing” Sri “Aga” Hanuraga switches from acoustic sounds to full blown electric jazz-rock featuring electric piano, spectacular electric bass and powerful drums. At times, you can hear echoes of iconic Canterbury band National Health.
The lineup includes Sri “Aga” Hanuraga on piano and Rhodes; Mattia Magatelli on double bass and electric bass; Kristijan Krajncan on drums. Guest: Rodrigo Parejo Mateos on flute.
Swedish trio Ödemarken defies musical boundaries on its second recording titled Ödemarken 3.0. The group plays primarily instrumental music with guitar, bass and drums. However, this is not the power rock that you would expect from such a format. Instead, Ödemarken’s sound is based around a wide-range of distorted guitar, electronic effects and guitar-playing techniques backed by creative bass and drumming.
The musical influences are varied, ranging from blues rock to psychedelia, progressive rock, world music and jazz and even echoes of Frank Zappa. The musicians pour out a rich selection of sounds and combinations that keep the album engaging through the end. The artists define their music as terrorjazz which is the time we’ve heard this term.
The Malmoe-based band includes Thomas Karlsson on drums and percussion; Thomas Augustsson on guitars; and Bartosz Traczykowski on upright bass.
Ödemarken 3.0 is a mind expanding electric guitar voyage by an imaginative progressive music trio from southern Sweden.