Tag Archives: Nicolas Meier

Pete Oxley and Nicolas Meier’s Extraordinary Guitar Dialog

Pete Oxley and Nicolas Meier – The Colours of Time (MGP Records MGPCD019, 2016)

Two of Europe’s finest eclectic jazz guitarists continue their series of collaborations with a double album titled The Colours of Time. The set is divided into two separate formats. The first album is a series of solo original works composed by either Pete Oxley or Nicolas Meier.

The material on disc 1 showcases the virtuosity of the two musicians along with their talent as composers, delivering a set of exquisite guitar duets. The two guitarists use a wide range of guitars and guitar-playing techniques. In addition to the usual solo and rhythm guitar styles, there is an ongoing guitar interchange throughout the album as well as beautiful moments where the guitarists use a beautiful plucking method that makes the guitar sound like a mesmerizing harp.

Although jazz is the foundation on disc 1, Oxley and Meier inject many other influences such as Gypsy jazz on “Waltz for Dilek”, Turkish influences on “Princes’ Island”, Pat Metheny-style guitar synth on “In Restless Repose”, North African/Middle Eastern sounds on “Sahara” and more Pat Metheny influences on “First Day of Spring,” although this time with Oxley on electric guitar.

On Disc 2, the original compositions become more rhythmic and electric with the addition of bassist Raph Mizraki and drummer Paul Cavaciuti. Pat Metheny’s influence continues on the opening track, “The Followers.” There is also a delicious ballad that perfectly crosses over into smooth jazz territory.

Some of the best tracks on this disc are the ones with a Middle Eastern flavor, such as “Riversides” and “Fethiye Crossroad.” Lastly, I need to mention a fabulous piece titled “Tales” that has instant classic appeal, with memorable bluesy solos.

 

 

The lineup on The Colours of Time includes Pete Oxley on nylon string, steel, electric, synth, jazz, and electric 12 string guitars; Nicolas Meier on nylon string, steel, acoustic 12-string, fretless nylon, glissentar, and jazz guitars; Paul Cavaciuti on drums; and Raph Mizraki on acoustic and electric basses.

The Colours of Time introduces the listener to a remarkable guitar dialog between two extraordinary guitarists.

Buy The Colours of Time

Nicolas Meier, Rising Fusion Star

Nicolas Meier – Infinity (Favored Nations, 2016)

In terms of jazz-rock fusion, this is one of the best albums I’ve heard this year. Swiss-born guitar maestro Nicolas Meier delivers a fabulous set of instrumental pieces filled with memorable guitar work and outstanding interplay with bassist Jimmy Haslip and drummer Vinnie Colaiuta.

What catches your attention quickly is the versatility of Meier. He uses a wide range of guitars and also the Turkish blaglama. With his arsenal or acoustic and electric axes, Meier treats the listener to state of the art fusion where jazz and rock meet Turkish, Egyptian, Balkan and Spanish musical influences.

I usually highlight the best pieces on an album. In this case, the choice is very difficult because all of Meiers compositions are equally good. Meier and his colleagues make flawless transitions throughout the album, combining high energy fusion with delightful laid back sections.

Nicolas Meier
Nicolas Meier

 

Jimmy Haslip gets plenty of opportunities to deliver his remarkable electric bass solos. And Vinnie Colaluta is a master of creative drumming, which he practices throughout the album. In addition to the core bass and drums, Meier also invited three violinists, Richard Jones, Sally Jo and Lizzie Ball and a fellow guitarist, Gregor Bale, to the album sessions.

 

 

Infinity showcases the talent and open mind of one of the finest jazz-rock guitarists in the current scene.

 

Buy Infinity in the Americas

Buy Infinity in Europe