Tag Archives: Pete Oxley

Guitar Charm on The Alluring Ascent

Pete Oxley & Nicolas Meier – The Alluring Ascent (MGP Records, 2019)

Pete Oxley and Nicolas Meier continue their guitar collaboration with The Alluring Ascent, an album that presents an outstanding set of musical pieces. The two European guitarists mix jazz sensibilities with contemporary influences and Middle Eastern sounds. The sequencing of the album features upbeat tracks followed by laid back, melancholic works.

Pete Oxley & Nicolas Meier – The Alluring Ascent

The interaction of the two guitarists is delightful and varied, showcasing virtuosity and melodic creativity. The two guitarists use a fascinating mix of guitars, ranging from acoustic 12-string and nylon guitars to electric 12-string guitars and the captivating sitar guitar, which is one of the highlights of the album.

The two guitarists are joined by a solid rhythm section that takes the music to a higher level. The lineup includes Pete Oxley on sitar-guitar, jazz guitar, nylon acoustic, steel, slide and electric guitars; Nicolas Meier on acoustic 12-string guitar, nylon guitar, glissentar, steel guitar; Raph Mizraki on acoustic and electric basses, darbuka; Paul Cavaciuti on drums; and Keith Fairbairn on percussion.

Pete Oxley and Nicolas Meier’s Extraordinary Guitar Dialog

Pete Oxley and Nicolas Meier – The Colours of Time (MGP Records MGPCD019, 2016)

Two of Europe’s finest eclectic jazz guitarists continue their series of collaborations with a double album titled The Colours of Time. The set is divided into two separate formats. The first album is a series of solo original works composed by either Pete Oxley or Nicolas Meier.

The material on disc 1 showcases the virtuosity of the two musicians along with their talent as composers, delivering a set of exquisite guitar duets. The two guitarists use a wide range of guitars and guitar-playing techniques. In addition to the usual solo and rhythm guitar styles, there is an ongoing guitar interchange throughout the album as well as beautiful moments where the guitarists use a beautiful plucking method that makes the guitar sound like a mesmerizing harp.

Although jazz is the foundation on disc 1, Oxley and Meier inject many other influences such as Gypsy jazz on “Waltz for Dilek”, Turkish influences on “Princes’ Island”, Pat Metheny-style guitar synth on “In Restless Repose”, North African/Middle Eastern sounds on “Sahara” and more Pat Metheny influences on “First Day of Spring,” although this time with Oxley on electric guitar.

On Disc 2, the original compositions become more rhythmic and electric with the addition of bassist Raph Mizraki and drummer Paul Cavaciuti. Pat Metheny’s influence continues on the opening track, “The Followers.” There is also a delicious ballad that perfectly crosses over into smooth jazz territory.

Some of the best tracks on this disc are the ones with a Middle Eastern flavor, such as “Riversides” and “Fethiye Crossroad.” Lastly, I need to mention a fabulous piece titled “Tales” that has instant classic appeal, with memorable bluesy solos.

 

 

The lineup on The Colours of Time includes Pete Oxley on nylon string, steel, electric, synth, jazz, and electric 12 string guitars; Nicolas Meier on nylon string, steel, acoustic 12-string, fretless nylon, glissentar, and jazz guitars; Paul Cavaciuti on drums; and Raph Mizraki on acoustic and electric basses.

The Colours of Time introduces the listener to a remarkable guitar dialog between two extraordinary guitarists.

Buy The Colours of Time