Accident Prone is the latest recording by British progressive act Psychoyogi. The band’s style cuts across various musical genres, incorporating a wide range of influences and moods, including progressive rock, jazz and avant-garde expressions.
The vocal style is unique, sometimes more spoken word than traditional singing, with socially-conscious lyrics that cast doubt on western social values.
Psychoyogi’s sound mostly revolves around the quirky interaction between the guitar and saxophone and rhythm section. You’ll hear echoes of Henry Cow, Adrian Belew-era King Crimson and even some Canterbury minus the keyboards.
The band lineup includes Chris Ramsing on guitar and vocals; Justin Casey on drums and percussion; Izzy Stylish on bass; and John Macnaughton on alto and tenor sax.
The 2019 edition of Cruise to the Edge will take place February 4-9, sailing from Tampa and Key West to Cozumel. Cruise to the Edge is the mammoth progressive rock festival held in a cruise ship.
The lineup includes some of the finest progressive rock acts spanning several generations, including Steve Hackett, The Sea Within, Jordan Rudess, Pendragon, Focus, District 97, Rachel Flowers and many other great acts. The programming also includes heavy metal band Haken.
Senki madara is the third album by Hungarian progressive rock band Yesterdays. On this new recording, Yesterdays delivers a superb mix of classic symphonic progressive rock with Hungarian folk music. The approach of this concept is to take traditional folk songs and recreate them with 1970’s-style progressive rock arrangements.
The multifaceted mix works seamlessly. The progressive rock influences include some of the most iconic acts of the first wave of prog bands: Yes, King Crimson, Pink Floyd, Genesis and Camel. You’ll find a delightful combination of Hungarian vocals and vintage keyboards, including the revered mellotron.
Yesterdays is a Hungarian symphonic progressive rock band based in Carei, Romania, led by Bogáti-Bokor Ákos. Yesterdays’ previous albums include Colours Caffé (2010) and A szavakon túl (2009).
The lineup includes Stephanie Semeniuc on lead and backing vocals; Bogáti-Bokor Ákos on acoustic and electric guitars, bass, fretless bass, mellotron, Hammond organ, piano, Moog, synthesizers, percussion, backing vocals; Enyedi Zsolt on piano, Hammond, Moog, synthesizers; Fehér Róbert Benjamin on acoustic and electric guitars, backing vocals; Kecskeméti Gábor on flute; Kósa Dávid on percussion and vocals; and Szűcs József on drums.
Special guests: Szirtes Edina Mókus on lead vocals; Tarsoly Csenge on lead and backing vocals; Bogáti-Bokor Orsolya on violin and viola; Márton-Sípos Dóra on cello.
Italian progressive symphonic rock band Syndone has matured into one of the finest acts in the European scene. The band’s style is a mix of symphonic rock and jazz-rock fusion that revolves around the sounds of multiple electronic keyboards, sometimes exquisitely distorted; the mesmerizing vibraphone; glorious chamber music strings; and charismatic, theatrical vocals.
The concept album Mysoginia (Misogyny) is Syndone’s seventh album. Vocalist and lyricist Riccardo Ruggeri describes the spirit of the album: “It emerges from its very single word, from people’s reactions, through certain looks, from a grimace. Humanity and its fight against female sex. Misogyny – of men and women – against those who can damage the power, against those who can give life but aren’t able to give love. A crime destined to go on for centuries, in which we are all immersed and accomplices. A story we must not forget, to respect all the victims and all the heroines. A tribute to those women who have suffered violence in our blind, bully and ignorant society. From Caterina de Medici to Ipazia… Look at yourself in the mirror, you cowardly man! You woman daughter of a cold mother! And rip out this evil from your heart!”
The current lineup includes composer Nik Comoglio on keyboards; Riccardo Ruggeri on vocals and acoustic guitar; Maurino Dellacqua on bass and Taurus bass; Marta Caldara on vibraphone and keyboards; Gigi Rivetti on keyboards; and Martino Malacrida on drums.
The Tangent, the edgy progressive rock group led by Andy Tillison, has a new animated music video available with an excerpt of the track “The Adulthood Lie.” The piece appears on The Tangent’s new album ‘Proxy,’ scheduled for release on November 16th, 2018.
Andy Tillison provide details: “‘The Adulthood Lie’ is a song from the new album “Proxy” by The Tangent. It comes in two flavours… one (the album version) which is a sixteen minute long Prog Rock Epic made out of anything but Prog Rock sounds… and the “single” version which is released today. The ‘single’ gives no real indication of what actually happens on the album version, but takes the form of a dancey Ibiza style pop song. These two versions work together well as a demonstration of what Progressive Rock still can be. Hear the single (with its cult game-like lyric video), and then hear the album to find out where it goes next!”
Chronomonaut is part 2 of a concept album developed by American progressive rock band Glass Hammer. The story follows Tom, a progressive rock-obsessed individual who received alien voices speaking to him through his favorite albums. Volume 1, Chronometree centered on Tom’s teenage years in the late 1970s. On Chronomonaut, Tom has grown up and experiences a mid-life crisis. The voices have returned and have been inciting Tom to time-travel back to the splendor days of the early progressive scene.
Glass Hammer have nailed it. They have captured the essence of early progressive rock, where proto symphonic influences met Beatles influences; brass-fueled rock-jazz similar to Blood, Sweat and Tears and early Chicago; folk-rock, and psychedelia. Although considerably less symphonic than many of their previous recordings, the instrumental section led by current members Babb, Raulston and Schendel is formidable, with memorable guitar solos, magnificent keyboards, creative drumming and lead bass lines.
On the vocal side, the band uses various vocalists, including current member Susie Bogdanowicz as well as Discipline’s Matthew Parmenter and a local Gospel singer called Patton Locke.
The Glass Hammer lineup on this album includes Steve Babb on bass, keyboards, lead and backing vocals; Fred Schendel on keyboards, guitars and backing vocals; Susie Bogdanowicz on lead vocals; and Aaron Raulston on drums.
Guests featured: Brian Brewer on guitar, steel guitar and mandolin; Jamison Smeltz on saxophone; Matthew Parmenter on lead vocals; Chris Herin on guitar; Reese Boyd on guitar; Phil Stiles on guitars; Tommy Ogle on saxophone; Bria Poteet on trombone; Stephen Bearden on trumpet; and Randall Williams on drums.
Acclaimed guitar virtuoso Steve Hackett has announced the release of his new studio album ‘At The Edge Of Light’ on January 25, 2019. Steve Hackett was Genesis’ guitar player during the band’s highly influential progressive rock era.
‘At The Edge Of Light’ contains ten songs, featuring various musical genres, ranging from guitar-driven rock to epic symphonic orchestration, world music and atmospheric pieces.
Steve reveals: “In these dangerous times, deep shadows feel even sharper than usual and we find ourselves standing at the edge of light… The contrast between dark and light weaves its way throughout the album in many ways, from the sense of good fighting evil through to the interplay of dark and light opposites magically combining in cultures, including the heartbeat of India and primal tribal rhythms. Ultimately, this album embraces the need for all musical forms and cultures to connect and celebrate the wonder of unity in this divided world.”
At The Edge Of Light will be available in various formats, including a Mediabook CD plus extra DVD with 5.1 surround sound mix & behind the scenes documentary, double vinyl LP + CD, Jewelcase CD and digital album.
‘At The Edge Of Light’ was primarily recorded in Steve’s own studio but also around the world. The album includes international artists, such as Durga and Loreley of Pink Floyd vocal fame, drummers Nick D’Virgilio and Simon Phillips from USA, Sheema on sitar from India, Icelandic drummer/percussionist Gulli Briem, tar player Malik Mansurov and Swedish progressive rock bass player Jonas Reingold. This album also features Paul Stillwell on didgeridoo, Rob Townsend on sax, bass clarinet and duduk, Amanda Lehmann on vocals, John Hackett on flute, drummer Gary O’Toole, Roger King and Ben Fenner on keyboards, Dick Driver on double bass, violinist and viola player Christine Townsend.
Hackett recently played a series of Genesis Revisited shows with Orchestra and will perform two UK dates with acoustic sets in early December before touring Europe in April/May 2019. He also announced a UK tour in November 2019 with a much anticipated ‘Selling England By The Pound & Spectral Mornings & Album Highlights’ set. Upcoming tour dates are available at: hackettsongs.com/tour
Composer, keyboardist and vocalist Andy Tillison is the social conscience of progressive rock. He’s a musician that doesn’t have any problem exposing society’s problems. Tillison is also one of the great innovators in the current progressive rock scene. The Tangent puts out a brilliant mix of progressive rock, jazz-rock fusion, funk, forward-thinking trip hop and, on the Proxy album, Spanish influences.
The band, as usual, is outstanding. Andy Tillison always surrounds himself with some of the finest musicians in the progressive rock scene, including remarkable guitarist Luke Machin, who combines an enviable skill with a multi-faceted set of guitar sounds. On the enchanting track “The Melting Andalusian Skies” he channels Al Di Meola and the great Andalusian rock guitarists.
The band on Proxy includes Andy Tillison on vocals and keyboards; Jonas Reingold on bass; Theo Travis on saxophone and flute; Luke Machin on guitars; Steve Roberts on drums; and guest Goran Edman.
Proxy is yet another masterful progressive rock work by The Tangent.
The Spacious Mind – The Drifter (Trail Records TR-020, 2018)
Trail Records never fails to deliver the good stuff. The Drifter is a collection of tracks by the fabulous psychedelic progressive rock band The Spacious Mind, from Sweden.
The Spacious Mind recreates the enchanting atmosphere of progressive psychedelia generated by Echoes-era Pink Floyd, with a boatload of acid guitars, vintage keyboards, spellbinding effects and modern electronic sounds.
The material on The Drifter includes tracks from the late 1990s through the mid-2000s. Great stuff indeed.
Norwegian instrumental band Pymlico returns with an album titled Nightscape. Although the band is known for combining progressive rock and jazz fusion, the fusion side is actually smooth jazz, with very sweet, melodic saxophone.
There is a dynamic interaction between the high energy progressive rock, cinematic passages and the mellowed down sections.
The band includes Øyvind Brøter on keyboards; Stephan Hvinden on guitars; Andreas Sjo Engen on guitars; Axel Toreg Reite on bass and synth bass; Marie Færevaag on saxophones and keyboards; Arild Brøter on drums, keyboards and additional guitars; and Oda Rydning on percussion.
Guests: Mattias Krohn Nielsen on acoustic and some electric guitars; Ketil Vestrum Einarsen on flute; Didrik Føyn Føyen on trombone; and Andreas Fossum on trumpet.
Nightscape is a finely crafted instrumental album by a group of talented young musicians.