Superfjord – All Will Be Golden (Svart Records, 2018)
All Will Be Golden is the second album by Finnish psychedelic rock band Superfjord, scheduled for release September 21, 2018. The band plays a superb mix of Pink Floyd-inspired space rock, progressive jam rock, trance music and mantra chants
The band includes Jussi Ristikaarto on guitars, electronics, vocals; Mikko Kapanen on guitar, vocals, percussion; Ilari Kivelä on drums, percussion; Teemu Soininen on bass; Juho Ojala on keyboards; and Jussi Peevo on drums, percussion.
All Will Be Golden is a mesmerizing album by a rising talent in the field of progressive psychedelic rock.
Belgian keyboardist Dominique Vantomme has released a fabulous genre-defying album where progressive jazz meets psychedelic rock.
Vegir has a cutting edge sound where analog keyboards (including distorted electric piano) meet the spellbinding psychedelic guitar and effects of Michel Delville, Tony Levin’s remarkable bass and Chapman stick sounds, and the powerful, creative drumming of Maxime Lenssen.
Vegir is an exceptionally good album featuring engaging and instinctive progressive jams that highlight the beauty of electronic keyboards.
Static is an indie progressive rock project by keyboardist Dave Kerzner. It’s a concept album about the disruptions and disorder in ordinary life and about passing through this “static interference” in our minds towards the goal of lucidity and joy.
The majority of the album contains beautifully-crafted progressive rock with vocal and guitar echoes of David Gilmour, Roger Waters, Steven Wilson and prog rock classic acts plus forward-thinking arrangements that bring together space rock, sound effects and electronics.
As indicated, the majority of the album is highly enjoyable state-of-the-art progressive rock. I would skip tracks 5 and 6, which stray away from the progressive rock vibe and head towards catchy pop. The remainder of the album includes all there is to like about progressive rock: majestic mellotron, memorable synth and guitar solos, exquisite cello, long epics and grand finales.
But there is more, Static features the great Steve Hackett, a musician that deserves an award for his talent and generosity, appearing as guest on numerous progressive rock albums. And Kerzner also used the rising star of prog rock artwork, Ed Unitsky.
The lineup on Static includes Dave Kerzner on vocals, keyboards and guitar; Fernando Perdomo on guitar, bass and drums; Randy McStine on guitar, effects and backing vocals; Derek Cintron on drums; Durga and Lorelei McBroom on backing vocals.
Guests: Steve Hackett on guitar; Matt Dorsey on bass and backing vocals; Nick Mason on drums; Colin Edwin on bass; Ewa Karolina Lewowska on backing vocals; Chris Johnson on guitar; Stuart Fletcher on bass; Alex Cromarty on drums; Ruti Celi on cello; and Nick D’Virgilio on drums.
Philadelphia-based band iNFiNiEN has released Light at the Endless Tunnel, one of the most exciting progressive music albums in recent months. Their remarkable mix of progressive rock, fusion and world music attracted our attention so here is more about the band.
How and when was iNFiNiEN formed?
In the fall of 2004, we were roommates and we jammed, which led to us writing songs. Our first gig was at a benefit concert at the World Café live in December 2004. We played our only two songs we had at the time.
What does the band name iNFiNiEN mean?
iNFiNiEN is a made up term from the book “An American Mystic” by Michael Gurian. The full-term was “Homo Infinien” which, in the context of the book, is representative the next evolutionary step of humans.
What do you consider as the essential elements of your music?
Polyrhythms, jazz harmony, progressive song structures, thoughtful and socially-conscious lyrics, driving bass grooves, exotic tonalities
Who can you cite as your main musical influences?
Farmers Market, Secret Chiefs 3, Mr. Bungle, John Zorn, John Coltrane, Meshuggah, Sun Ra, Ali Farka Toure, John McLaughlin, Veena Sahasrabuddhe, Jaco Pastorius, and many, many more (too many to name)
How long has the band been around?
Tell us about your first recordings and your musical evolution.
We discovered our own sound by jamming together. We recorded our jams and arranged our favorite parts into songs. As we went along, we were aiming to evoke visual impressions in the listeners. Our intention was to go beyond genre. There was also a psychedelic influence, without question. ; )
Your sound has elements of progressive rock, world music, jazz and beyond. How do audiences react to your music?
We’ve been very pleasantly surprised that the majority of our live audiences have viewed it as a breath of fresh air. People have given us a lot of positive support. Some find it “too complicated”, but for the most part, audiences really appreciate our approach.
Despite all the media outlets available, most of the music that is played currently by mass media is pop or hip hop. How do you get your music out there?
When playing live, we try to associate with bands who are similar (sometimes hard to find). Online we try and reach out to the progressive and indie music communities or anyone who we think would appreciate it. Since it’s only the four of us trying to get PR for the band, our total reach is pretty limited.
What musical instruments do you use?
Our live set up is drums, bass, guitar, and keyboard. On recordings, we’ve used oud, saz, sitar, bulbul tarang, tabla, organ, exotic percussion sounds, and some Moog.
And what effects do you use?
Guitar: whammy, ambient delays, and reverb
Bass: volume swell, chorus pedal, octaver
Keyboard: sounds including clav, Wurlitzer, Rhodes, some pads, etc.
How’s the current progressive music scene in your area?
The Tri-state area’s progressive scene is pretty vital. And we’ve been lucky to play with such bands as Consider the Source, Kayodot, Reign of Kindo, Tea Club, Out of the Beard Space, and many others.
If you could gather any musicians or musical groups to collaborate with, whom would that be?
We don’t have a good answer for this question. On a related note our guitarist Matt Hollenberg has actually been playing music for John Zorn, one of his heroes and main influences, for the last two years in the organ trio Simulacrum with John Medeski and Kenny Grohowski.
Do you have any upcoming projects to share with us?
Needlepoint is yet another superb progressive music band from Norway. The Oslo-based group plays a mix of progressive psychedelic rock and jazz-rock with Canterbury influences.
Some of the songs have a well-structured form, featuring charming folk-rock-style lead and harmony vocals, memorable electric organ work and remarkable bluesy/psychedelic guitar solos. Other times, the band goes into jazz-rock territory with exquisite Canterbury leanings and some jam moments.
The lineup on Aimless Mary includes Bjørn Klakegg on guitar, vocals and additional bass; David Wallumrød on clavinet, organ, Prophet 5, percussion and background vocals; Nikolai Hoengsle Eilertsen on bass, additional guitars, background vocals and percussion; and Olaf Olsen on drums.
Needlepoint was formed in 2010 as a trio. Earlier albums include The Woods Are Not What They Seem (BJK Music, 2010) and Outside The Screen (BJK Music, 2012).
When you listen to this compilation, it is clear that some of the best psychedelic progressive rock is being made in Russia. Tripwave 2: Collection of Modern Russian Psychedelic Music features 9 fabulous acts. Three of the artists have had international exposure, including Ole Lukkoye, Rada & Blackthorns and Polska Radio One. The rest are young bands from Moscow and St. Petersburg.
If you like the progressive side of psychedelia, you’ll love this album. It’s got spacey guitars, hypnotic vocals and spellbinding progressions. On Track 2, “Ethno Song” by Rada & Blackthorn you’ll find soaring guitars along with wailing female vocals and fascinating Tuvan throat singing.
There is not a weak track on this album. However, there are some highlights. In addition to “Ethno Song”, there is a truly captivating song titled “Canyon” by Sonora, with a “tripped out” female vocalist that brings up an image of Grace Slick jamming with Pink Floyd.
Other favorites are ethno-psychedelic band Ole Lukkoye that plays trance-like shamanic music mixing psychedelic guitars with ethnic vocals and percussion; and Kamni’s dreamy psychedelia with David Gilmore-style guitars.
The Roadmap in Your Head is a space rock fest featuring the Spirits Burning collective and progressive electronic music pioneer Clearlight. The overall result is a fabulous mix of electronic music, rock, psychedelia, jazz and even world music influences. At times, the musicians venture into intense space and electronic music. On other parts of the album, the musicians gradually drift towards jazz, trance-like progressive rock and global sounds.
Clearlight is keyboardist and composer Cyrille Verdeaux, who released iconic albums in the 1970s. Spirits Burning is an impressive gathering of musicians who have played with the leading progressive psychedelic and space rock bands: Gong and Hawkwind, as well as other acclaimed space rock outfits.
The lineup is extensive and looks like a dream team wishlist: Cyrille “Clearlight” Verdeaux; the late Daevid Allen; Steve Hillage; Mike Howlett; Didier Malherbe; Ian East; Fabio Golfetti; Dave Sturt; Kavus Torabi; Don Falcone; Paul Booth; Theo Travis; Judy Dyble; Jonathan Segel; Steve Bemand; Nik Turner; Bridget Wishart; Albert Bouchard and many more.
“The Roadmap In Your Head” was mastered by renowned ambient electronic music keyboardist Robert Rich.
Psychedelic rock collective Gong has released its first album since the death of its founder Daevid Allen. It’s hard to know who’s a member of gong at any given time, as the lineup changes frequently. This time, Gong has added guitarist and vocalist Kavus Torabi (Knifeworld), a multi-faceted musician who is involved in many different progressive music-related projects in the UK.
This version of Gong begins the album with three songs that seem to me like late 60s psychedelia. What I liked about Gong in the 1970s was its progressive rock spirit and the first three cuts on this album deliver a more rudimentary rock form with psychedelic outbursts here and there.
Things get much more interesting on track 4, “Model Village,” where the band adds trippy electronics, exotic flutes, laid back dreamy vocals and sound effects. It’s certainly a more progressive sound. This track also features an important Gong pioneer, French wind instrument master Didier Malherbe, who plays Armenian duduk.
The exploratory psychedelia continues on “Beatrix” with some jazz leanings.
On “Visions” the band takes into space music with mesmerizing gliss guitar and ebow intertwined with soprano sax.
Next comes ”The Unspeakable Stands Revealed” where the band goes into progressive psychedelic jam rock mode, delivering notable gliss guitar, regular electric guitar and soprano sax interplay.
Track 8, “Through Restless Seas I Come” slows down the space and takes you into the dreamtime zone with the mix of electronic, vocals and evocative duduk.
On the last track, “Insert Yr Own Prophecy” the band kicks up the rock side of things and develops into a great jam-like piece.
The lineup on ‘Rejoice! I’m Dead!’ includes Kavus Toravi on vocals and guitar; Fabio Golfetti on guitar and vocals; Dave Sturt on bass and vocals; Ian East on sax and flute; and Cheb Nettles on drums and vocals. There are also guest appearance by former Gong musicians Steve Hillage on guitar; Didier Malherbe on duduk; and Graham Clark on violin.
“Rejoice! I’m Dead!” is available on CD, a double LP and as a limited edition deluxe 3 disc hardback book edition featuring 44-page book, CD, DVD-AV & Bonus CD; and digitally as well.
Pink Floyd Records has announced the reintroduction ‘Atom Heart Mother’, ‘Meddle’ and ‘Obscured By Clouds’ on vinyl. The three albums have been remastered from the original analog master tapes and will be released on September 23rd, 2016. ‘The Wall’ and ‘The Division Bell’ are also back in stock on vinyl from August 26th.
Pink Floyd followed their 1960s albums with their fifth studio album, 1970’s ‘Atom Heart Mother’ featuring the classic lineup of Roger Waters, David Gilmour, Richard Wright and Nick Mason plus an orchestra. The LP went on to become the band’s first UK No.1 record.
In a short break from touring ‘Atom Heart Mother’, in 1971, Pink Floyd released the progressive psychedelic album, ‘Meddle’. The album included the epic 23-minute track Echoesthat occupied the entirety of the B-side of the record.
Pink Floyd’s seventh album ‘Obscured By Clouds’ was originally recorded as the soundtrack to the French film ‘La Vallée’ but it was eventually released as a standalone album in 1972.
Progressive rock, jazz-rock fusion, ambient electronic music and beyond