There was a lot of expectation about the new Yes album, Fly From Here, the first recording by the progressive rock legends in nearly a decade. Yes had several choices, either go the progressive rock route cherished by many of its fans or go pop. They chose a middle ground. In a surprising time warp, the musicians running Yes now went back to the Yes of the Drama era. Indeed, Yes brought back producer Trevor Horn and keyboardist Geoff Downes, who basically have taken over the Yes sound. Most of the pieces are by Horn, Downes and bassist Chris Squire.
Most of the material on Fly From Here has a pop quality. Although the album is structured as a suite, don’t expect a progressive rock gem like Close to the Edge, Tales From Topographic Oceans or Relayer. Instead, the pop songs are joined by superb, although brief, instrumental passages. It’s like a little taste of the best Yes can offer, but leaves you wanting more.
The current line-up of Yes doesn’t include one of its essential members, Jon Anderson. He is not only the vocalist that gave Yes its distinct sound, Anderson is also a highly creative composer that has provided excellent material. The new vocalist, Benoit David, does an excellent job and I have no problems with him. However, he has been given lackluster songs to work with. There is an overall absence of the magic that made Yes such a legend.
As the title of the review says, Steve Howe saves the show. His guitar work throughout the album is truly outstanding. He adds his signature intricate guitar melodies and arrangements throughout the album. If you ignore the pop structure of the songs and simplistic drums, the guitar work is progressive rock at its best.
Progressive rock legend and original Yes vocalist Jon Anderson will be playing a series of exclusive solo concert dates during December of 2011 in South America. Jon Anderson, who has one of the most recognizable voices in rock music, and is best known for his work with progressive rock band Yes, Vangelis and Kitaro, as well as his innovative solo efforts, recently completed a successful tour of the east coast in the United States with fellow Yes member Rick Wakeman.
Jon’s South American solo tour promises to deliver an exciting mixture of material from his prolific solo career, collaborations with Vangelis and classic Yes songs, along with new compositions from his new CD ‘Survival & Other Stories‘.
Jon recently released an epic musical work titled “Open.” The recording is a return to the long-form composition that Jon Anderson is best known for, (“Close To The Edge”, “Gates of Delirium”, “Revealing” and “Awaken”). Open is a 21-minute musical journey; a pioneering effort that weaves intricate melodic and harmonic themes within a classical music framework whilst showcasing Anderson’s iconic vocals and timeless melodies throughout.
Jon Anderson South American 2011 Tour Dates:
12/03/2011 – Floripa Music Hall – Florianopolis, SC, Brazil
12/07/2011 – Teatro Oriente – Providencia, Santiago, Chile
12/09/2011 – Teatro Bourbon Country – Porto Alegre, RS, Brazil
12/10/2011 – Bolshoi Pub – Goiania, GO, Brazil
12/13/2011 – Citibank Hall – Sao Paulo, SP, Brazil
This week’s music video is a live performance by Gentle Giant, one of the greatest progressive rock bands of all time.
Gentle Giant was founded in 1970 by the brothers Shulman. Derek was the lead vocalist and played alto sax and bass, Ray sang and played bass & violin, and Phil handled the saxophone and added vocals. The rest of the band included Kerry Minnear, on keyboards, who came straight from the Royal Academy of Music. Gary Green, a musician with a blues background, became the guitarist. Martin Smith was on drums.
Gentle Giant’s use of complex classical chord and time patterns, together with rock, blues, jazz and medieval melodies and themes, set them apart from other progressive rock groups of their time.
Robert Rich, one of the leading musicians in the area of ambient electronica, has a new CD titled Medicine Box. The album includes great artwork from John Bergin, in bright 3-fold Digipack.
Medicine Box features Cheri Chuang’s wordless crystalline voice on three songs, with traces of Persian inflection. There are deep basslines that hint at dub, while analog synth skitters and chuffs the outlines of a rhythmic grid, propelled forward by pulsing north African drums.
Sustaining guitars bring a psychedelic edge. Cello and reeds echo plaintively in the distance. Rich’s sparse piano adds droplets of modal jazz to this dark tea.
Robert Rich: synths & amp; MOTM, flutes, steel guitars, piano, bass, percussion
Haroun Serang: guitar on 1
Cheri Chuang: voice on 2,6,9
Edo Castro: bass on 3,6,9
Hans Christian: cello on 3,5,7,9
Slim Heilpern: chromatic harmonica, 4
Pink Tones, a well-known European Pink Floyd tribute band, sold out their entire concerts during their recent Spanish tour. The band performed in some Spain’s largest cities, including Madrid, Barcelona, Bilbao and Santiago de Compostela.
The Pink Tones were formed to offer fans the opportunity to experience the music of Pink Floyd live, giving maximum respect to the original songs, and integrating lights and sound into a complete audiovisual experience.
On May 25th, Pink Tones released the virtual book ‘DSOM the black box’, a collaboration between Pink Tones and graphic studio Diazrada Media. It’s a musical and graphic tribute to Dark Side of the Moon. The set is available as a free download at the band’s website in the download area: http://pinktones.net
Pink Tones performing Pink Floyd’s Echoes (part 1) at Joy Eslava in Madrid, Feb 2010
Vocalist and drummer Nick D’Virgilio announced his departure from renowned progressive rock band Spock’s Beard. “We regret that Nick D’Virgilio, a founding member of the band, good friend and incredible talent is unable to continue with us due to his other commitments,” said a press release in the band’s official web site. “Please continue to support him, check out his new solo CD “Pieces,” go see him with Cirque du Soleil and follow whatever other madness he’s up to.”
“As you may or may not know, for almost 2 years now I have been working for Cirque Du Soleil on the touring show TOTEM,” said D’Virgilio on his web site. “Traveling a bit of the globe with my family on an adventure that has been great, but also very tough. Great because I am finally able to fully support my family with this very unstable life I chose as a musician, but also very tough because this job has made it hard to do other things and the main thing is Spock’s Beard…I have had the best time and have made some of the best music of my career with Dave, Al, Ryo, and Neal and will take those memories with me for the rest of my life.”
Spock’s Beard has recruited vocalist and guitarist Ted Leonard (Enchant, Thought Chamber) and Jimmy Keegan (Santana, John Waite), who’s been the band’s tour drummer for close to 10 years.
A new Spock’s Beard DVD and extensive European tour will take place in early 2012, followed by the band’s 11th studio release sometime in the summer.
The two-CD set Forever (Concord Jazz) by jazz fusion legends Chick Corea, Stanley Clarke & Lenny White won the Best Instrumental Album at this year’s Latin Grammy Awards.
Keyboardist Chick Corea, bassist Stanley Clarke and drummer Lenny White formed the core of the classic, most popular and successful lineup of Return to Forever, the legendary influential electric jazz fusion band. After reclaiming the jazz-rock world in 2008 with the triumphant return of Return to Forever, Corea, Clarke and White decided to revisit where it all began, to get back to basics and the soul of their relationship.
Forever was recorded live. Disc one of Forever is a best-of sampler from Corea, Clarke and White’s “RTF-Unplugged” world tour in 2009. Highlights include jazz standards “On Green Dolphin Street,” “Waltz for Debby” and “Hackensack,” Corea-classics “Bud Powell” and “Windows,” Clarke’s new “La Canción de Sofia” and even RTF pieces “Señor Mouse” and “No Mystery.” Disc two is a bonus CD with its own story.
“The sets we played were basically jam sessions of the standards we knew from the songbooks of Monk, Bill Evans, Miles and others,” says Corea. “Also included are some pieces from the Return to Forever songbook reworked in this acoustic setting.”
“This acoustic trio had not been documented up to this point,” explains White, an innovative and versatile drummer/producer/composer. “It was important to document this because that’s how we started. On the last day of our Keystone Korner gig in 1973 in San Francisco, we had two guitarists sit in, and it became electric. But we come from playing in the jazz tradition. RTF had a real jazz rhythm section, and I think that’s what distinguishes RTF from all the other groups.”
Legendary progressive rock band Emerson Lake & Palmer (ELP) reformed for the first time since 1998 for their final show to headline the High Voltage Festival in London on Sunday, July 25th 2010. The concert celebrated the 40th anniversary of the creation of Emerson Lake and Palmer. Now it’s available on DVD under the title Emerson Lake & Palmer – 40th Anniversary Reunion Concert.
Emerson Lake & Palmer was a predominant force in the foundation of progressive rock. The band consists of Keith Emerson, the explosive keyboard who came from the Nice, the sultry vocals and extraordinary bass of Greg Lake from King Crimson and the theatrical and extraordinary drumming of Carl Palmer, who emerged from Atomic Rooster.
The 40th Anniversary Reunion Concert video is a show that brings back the same theatrics that the highly creative combination of Keith Emerson’s legendary keyboards, Greg Lake’s extraordinary voice, and the dramatic drumming of Carl Palmer brought to their core fan base and to the new generations.
Karn Evil 9: 1st Impression – Part 2
From The Beginning
Touch and Go
Take A Pebble/Tarkus
Farewell to Arms
Pictures At An Exhibition
Fanfare for the Common Man/Drum Solo/Rondo
– Interviews with managers, Rock music journalist, tour manager and archivist.
– Contains brand new interviews by Rock DJ Nicky Horne with Keith Emerson, Greg Lake and Carl Palmer
In 1995, progressive rock band Yes reformed its most celebrated line-up: Jon Anderson on vocals, Chris Squire on bass, Steve Howe on guitars, Rick Wakeman on keyboards and Alan White on drums. This reunion was greeted with anticipation by millions of fans worldwide.
New studio tracks were recorded at Yesworld studios in San Luis Obispo, California throughout the winter of 1995 and spring of 1996. They then embarked on a series on a series of live concerts in March 1996 at The Freemont Theatre in San Luis Obispo, performing timeless classics from all phases of their career.
The result was Keys To Ascension. The 5-disc box set presents for the first time all of these performances in one package. The original artwork is by Roger Dean.
Disc: 1 – Recorded Live at San Luis Obispo 1996
1. Siberian Khatru
2. The Revealing Science Of God
Disc: 2 – Recorded Live at San Luis Obispo 1996
2. Starship Trooper
3. Studio Tracks Recorded 1996 – Be The One
4. That, That Is
Disc: 3 – Recorded Live at Recorded Live at San Luis Obispo 1996 – 1996
1. I’ve Seen All Good People
2. Going For The One
3. Time And A Word
4. Close To The Edge
5. Turn Of The Century
6. And You And I
Disc: 4 – Studio Tracks Recorded 1995/1996
1. Mind Drive
2. Foot Prints
3. Bring To The Power
4. Children Of Light
5. Sign Language
Disc: 5 – DVD Recorded Live at SLO 1996
1. Siberian Khatru
2. Close To The Edge
3. I’ve Seen All Good People
4. Time And A Word
5. And You And I
6. The Revealing Science Of God
7. Going For The One
8. Turn Of The Century
13. Starship Trooper
The 9th Annual Colorado Progressive Music Festival is scheduled for tomorrow, Sunday, November 20th, at The Walnut Room, 3131 Walnut St. in Denver. The event is a gathering of Colorado musicians performing original music and progressive rock classics.
New acts include cosmic band HU and the Crimsonesque heaviness of The Michael Zucker Band. Guitar virtuoso Charles Brown is back after a too-long absence. Progfest veterans like ZED and Daokou are also scheduled. Other artists include The teens from Littleton, Jamie Krutz with an all-star band, Every Waking Hour, Mark Bradford and Jamie McGregor, and the Kansas tribute.
4:05-4:30 Michael Zucker Band
4:35- 4:50 Charles Brown & Co. Acoustic Set
5:35-6:00 Littleton Conservatory of Rock
6:45-7:10 Jamie Krutz, new music with special guests Jamie McGregor,
Gretchen Kunz, Jonathan Patch and Scott Clelend.
7:20-7:45 Every Waking Hour
7:55-8:20 Mark and Jamie dare you to call it prog!
8:30 -8:55 Kansas Tribute Finale
4-9pm, doors 3:30pm
The Walnut Room, 3131 Walnut St., Denver
Sponsored by the Colorado Art Rock Society
Doors open at 3:00pm. The show rocks from 3:30-9pm.
Food is available at the venue.
Tickets only $7 at the door