Flowers at the Scene is the exquisitely produced and arranged fifth solo album by British artist Tim Bowness. The album showcases Bowness talent as songwriter and exceptionally expressive vocalist.
Musically, Bowness crosses various boundaries: elegant art rock, masterfully-crafted progressive rock and electronic ambience.
Flowers at the Scene was coproduced by Bowness and his longtime collaborator Steven Wilson. The diverse lineup of collaborators includes well-known names in the progressive rock, prog metal, jazz and other genres: Peter Hammill (Van Der Graaf Generator), Andy Partridge (XTC), Kevin Godley (10cc), Colin Edwin (Porcupine Tree), Jim Matheos (Fates Warning), David Longdon (Big Big Train), Brian Hulse (Plenty), Ian Dixon, Tom Atherton, Dylan Howe, David K Jones, Fran Broady and Charles Grimsdale.
Bowness said about the album: “It was an exciting project to put together and it was great working closely with old sparring partners, Brian Hulse and Steven Wilson. Steven was initially brought in to mix the album, but very quickly he was doing far more and developing production ideas alongside Brian and I. Listening to pieces such as Not Married Anymore, Borderline and The War On Me, we both felt that the project had more than a hint of the spirit of no-man and it became obvious that this was a no-man co-production rather than a Bowness/Wilson one.”
Flowers at the Scene is a deeply mesmerizing album with a charming set of dreamy songs.
Dead Can Dance, an acclaimed genre-defying duo has a new album titled Dionysus. The recording is the duo’s first album in six years and consists of two acts across seven movements that represent the different sides of the Dionysus myth.
“The Mountain” is the first movement of the album’s second act, where, explains Perry, “listeners will find themselves visiting Mount Nysa. This mountain was Dionysus’ place of birth, where he was raised by the centaur Chiron, from whom he learned chants and dances together with Bacchic rites and initiations.”
Formed in Melbourne in 1981 by Lisa Gerrard and Brendan Perry, Dead Can Dance released several spellbinding albums that incorporated African polyrhythms, Gaelic folk, Gregorian chant, Middle Eastern scales and art rock.
Remedium is the first solo album by singer-songwriter Laura Meade, the IZZ vocalist. While IZZ plays progressive rock, Remedium is an elaborate album that incorporates theatrical, experimental and accessible avant-garde influences.
Laura Meade demonstrates her talent as a songwriter and vocalist with beautifully-constructed songs in which she uses a wide-range of meaningful vocal techniques and overdubs. She’s joined by her colleagues from IZZ on keyboards, guitars, bass, drums and electronic beats who occasionally add some progressive rock instrumental moments.
Remedium showcases the music of a superb vocalist who explores sounds beyond the tired mainstream.