Spectrum is Hiromi’s second solo album. The Japanese piano phenomenon delivers a masterful set of performances where jazz and blues meets classical music as well as influences from rock music and her countrymate Ryuichi Sakamoto.
Hiromi’s technique is breathtaking, technically superb; spirited and full of life at the same time. An impeccable example of creative piano craftsmanship.
This self-titled recording “Gleb Kolyadin” is the debut solo album of Gleb Kolyadin, one of the rising stars of progressive keyboards. His primary instrument is the grand piano, masterfully recorded at Moscow’s iconic Mosfilm studios. The opening track, “Insight” brings together deep classical music influences in the form of piano, jazz stylings and synthesizer solo bursts that recall Chick Corea’s work.
The second track, “Astral Architecture,” is a mesmerizing piece with captivating piano and vocals, soft drums and dreamy guitars and synths.
On “White Dawn”, Kolyadin layers keyboards, mixing grand piano and symphonic synths with soaring guitar.
“Kaleidoscope” features piano, powerful drums and bass that initially sounds like a tribute to the fine work of Emerson Lake and Palmer that later adds jazz vibraphone and flute into the mix with a Rick Wakeman-style synth solo to top it off.
On the short track 5, “Eidolon,” Gleb Kolyadin showcases his magnificent skill on the piano. The piece ends with fascinating reverb sounds. It segues into another and wonderfully orchestrated piece titled “Into The Void,” featuring piano, mysterious synths and delicate jazz drums.
“The Room” features the piano, bass and drum trio format along with saxophone, weaving in progressive rock, jazz and classical stylings and morphs into a high energy electronic prog rock set.
The longest track is Confluence, clocking over 10 minutes. It begins with delicate piano, bass and absorbing vocals by Steve Hogarth (Marillion). Gleb Kolyadin brilliantly builds the music up tempo, treating the listener to delicious interplay between the piano, drums and vibes.
On track 9, “Constellation / The Bell,” Kolyadin exhibits his classical piano influences and adds contemporary vocal experimentation near the end.
“Echo / Sigh / Strand” combines classical piano with a brief outburst epic prog rock.
Track 10, “Penrose Stairs” features jazz saxophone plus the grand piano, vibrant drums and bass.
“Storyteller” is a progressive rock lover’s dream, with Kolyadin and fellow maestro Jordan Rudess exchanging fabulous keyboard performances. Rudess plays a knockout synth solo.
The album concludes with “The Best Of Days” where Steve Hogarth returns with another entrancing vocal performance accompanied by spellbinding piano, drums and bass.
The lineup on “Gleb Kolyadin” includes Gavin Harrison on drums; Nick Beggs on bass; Theo Travis on flute and saxophone; Steve Hogarth on vocals; and Mick Moss and Jordan Rudess on keyboards.
Gleb Kolyadin cofounded the chamber prog group Iamthemorning in 2010 along with singer Marjana Semkina. The group released Iamthemorning in 2012, Belighted in 2014 and Lighthouse in 2016. In 2016 Iamthemorning won the UK-based Progressive Music Award for album of the year.
With his first solo album, Gleb Kolyadin has unveiled a formidable force in the progressive rock field. He’s a masterful performer, arranger and innovator. This album is heading straight to the top of best progressive albums of the year.
British organist Kit Downes is set to release a new album titled Obsidian (ECM records) on January 19, 2018. Obsidian features Kit Downes on church organs and Tom Challenger on tenor saxophone.
In November 2016 producer Sun Chung followed Downes to three English churches: the Snape Church of John the Baptist, Bromeswell St Edmund Church and Union Chapel Church in Islington, London. Downes played the church organs in these very different acoustic spaces. Most of the album is solo organ work. He is joined on one piece, “Modern Gods” by saxophonist Tom Challenger.
Visual Music is an outstanding recording of cello music by composer and cellist Joan Jeanrenaud, who used to be a member of the famed Kronos Quartet for 20 years.
Joan Jeanrenaud delivers a set of solo cello pieces that range from captivating melodies and cinematic soundscapes to mesmerizing ethereal compositions and neoclassical pieces as well as experimentation using various layers and cello techniques.
There are truly fascinating tracks such as are the beautiful “Solo Prelude,” and the hypnotic pieces “Isola” “Moon Above” and “Ethereal Tree” where Joan Jeanrenaud ventures into deep space and other worlds, mixing her multifaceted cello with ambient electronics.
The tracks on Visual Music were originally made for Joan Jeanrenaud’s Dance, Theater and Art Museums.
The musicians on the Visual Music album include Joan Jeanrenaud on cello; PC Muñoz on marimbata, cajón and drum kit; William Winant on vibraphone; and Dohee Lee on recorder and electronics.
Australian jazz-rock and classical keyboard master and composer Allan Zavod passed away on November 28, 2016. Zavod played piano, synthesizers, organ and other keyboards with some of the most iconic jazz-rock artists such as Billy Cobham, Herbie Hancock, Jean Luc-Ponty, George Benson and Frank Zappa.
Allan Zavod was born October 16, 1945 in Melbourne, Australia. He completed a music degree at Melbourne Conservatorium in 1969. His skill as a pianist was much-admired by Duke Ellington, who after hearing him playing jazz piano, arranged for him to extend his jazz studies at the prestigious Berklee School of Music in Boston, Massachusetts. Zavod later held a post as professor of music in Berklee.
Based in the United States of America for 30 years, Zavod played, recorded and toured with many well-known international musicians such as Duke Ellington, Glenn Miller Orchestra, Woody Herman Orchestra, Maynard Ferguson Big Band, Cab Calloway, Billy Cobham, Gary Burton, Herbie Hancock, Jean Luc-Ponty, George Benson, and Frank Zappa.
Zavod played keyboards in Maynard Ferguson’s Chameleon (1974) and Life & Times by Billy Cobham (1976). After that, he joined the Jean Luc Ponty band and appeared on many of the band’s best recordings: Imaginary Voyage (1976), Enigmatic Ocean (1977), Cosmic Messenger (1978), Live (1979), A Taste for Passion (1979) and Civilized Evil (1980).
Mirage synth solo:
Mirage full piece:
In the 1980s and 1990s, Zavod recorded and toured with Frank Zappa. He played in the following Zappa albums: Fits Your 34B, No Matter Which 43B You Are (1985), All You Need is Glove (1985), Does Humor Belong in Music? (1986), You Can’t Do That on Stage Anymore, Vol. 1 (1988), Guitar (1988), You Can’t Do That on Stage Anymore, Vol. 3 (1989), You Can’t Do That on Stage Anymore, Vol. 4 (1991), You Can’t Do That on Stage Anymore, Vol. 6 (1992), and Cheap Thrills (1998).
In 1996, Zavod composed the score for the stage adaptation of J.R.R Tolkien’s “The Hobbit” that enjoyed tremendous success across Australia.
As a film composer, Zavod wrote scores for over 40 American and Australian films, documentaries, television and theater, including: a US film score with guitarist Eric Clapton; an award winning children’s film for “Shine” director Scott Hicks; a film for Disney; the Theatre production of The Hobbit; and the long running series “A Country Practice”.
In 2009 The University of Melbourne awarded Allan Zavod the Doctor of Music for his international contribution in the field of Classical Jazz Fusion, only one of 5 recipients with an earned Doctorate for composition in the 150 year history of the University.
From 2007 to 2012 Zavod was dedicated entirely to composing. During this period his orchestral works were performed in Australia and abroad.
Allan Zavod passed away at his home accompanied by his wife Christine, his son, Zac, his mother, Annie and close friends.
Symphony #1: Cupid & Psyche is the latest album by Höstsonaten, one of the various progressive rock projects developed by the great Italian musician and composer Fabio Zuffanti. The current incarnation of Höstsonaten is a partnership between Zuffanti and Luca Scherani (La Coscienza di Zeno).
Höstsonaten is the most symphonic of Zuffanti’s projects, mixing classical music with progressive rock instrumentation. Symphony #1: Cupid & Psyche is an instrumental symphonic suite. This musical work is also envisioned as music that can also serve as ballet music, as great composers such as Stravinsky and Tchaikovsky did in the past.
Symphony #1: Cupid & Psyche is inspired by Roman-era writer Apuleius’ “Cupid and Psyche”, which is part of the “Metamorphosis”. Zuffanti came up with a set of musical ideas appropriate for such a suite. He gave this material to Luca Scherani, who arranged it for string quartet, woodwinds and brass, sometimes using Zuffanti’s ideas and at times writing new arrangements of his own.
The final result is an album that beautifully brings together classical music and rock. In addition to the classical music orchestra instruments, such as violins, bassoon, and trumpet, Zuffanti and Scherani added powerful bass, drums, epic guitars and lots of keyboards, including Moog, mesmerizing mellotron, organ and piano.
In addition to classical influences and well-crafted classic symphonic progressive rock, Symphony #1: Cupid & Psyche contains engaging jazz elements and avant-garde moments.
The line-up on “Cupid & Psyche” includes Luca Scherani on keyboards; Fabio Zuffanti on bass pedal & devices; Paolo “Paolo” Tixi on drums & orchestral percussion; Laura Marsano on guitars; and Daniele Sollo on bass.
Formus String Quartet:
Sylvia Trabucco on first violin; Alessandra Dalla Barba on second violin; Ilaria Bruzzone on viola; and Chiara Alberti on cello;
Joanne Roan on flute; Luca Tarantino on oboe; and Sofia Bartolini on bassoon;
Marco Callegari on trumpet; Alberto Repetto on horn; Federico Curotto on trombone; Maurizio Zofrea on tenor saxophone.
“Cupid & Psyche” is the first of a series of rock symphony projects that Fabio and Luca would like to work on in the future.
The “Cupid & Psyche” suite and ballet will have its live debut on October 22, 2016 at the Teatro Govi of Genoa under the direction of choreographer Paola Grazzi.
Symphony #1: Cupid & Psyche is a masterful symphonic rock suite by two of the most talented musicians in the current progressive rock scene.
French musician and composer Julian Julien delivers a series of musical vignettes inspired by international photography and cinema. The music crosses numerous stylistic boundaries, depending on the context or theme. You’ll find ambient electronic moods, avant-garde experimentation, new jazz, world music, classical music, minimalism, Zeuhl-style electric bass, and cinematic environments.
Julian Julien uses a mix of wind instruments and percussion performed by musicians who come from a jazz, classical and rock background, including Frédéric Collignon (cornet, vocals), Siegfried Canto (flute), Michaël Havard (soprano, tenor and baritone saxophone) and Rémi Dumoulin (bass clarinet). Other musicians include Hélène Argo (vocals), Guillaume Billaux (guitar), and Adeline Lecce (cello).
Terre II is a beautifully crafted collection of multifaceted music pieces deeply inspired by the various currents in today’s progressive music.
The Claudia Quintet, an ensemble led by composer and drummer and John Hollenbeck has will be touring Europe and North America in the next weeks.
The Claudia Quintet plays jazz influenced by classical minimalism, new music, progressive rock and post-rock. The ensemble has released seven albums, six of them on Cuneiform Records. The eighth album, Super Petite, is scheduled for release on Cuneiform in Summer 2016.