Tag Archives: Renaissance

Interview with Annie Haslam of Renaissance

Singer Annie Haslam has one of the most recognizable voices in the progressive rock world. She joined progressive symphonic rock group Renaissance during its early stage and has carried the torch for many years. Annie currently leads Renaissance and the band is geting ready to tour the United States. She talked to Progressive Rock central about her career and the upcoming tour.

What are your fondest musical memories?

Performing at Carnegie Hall in 1975, the Albert Hall in 1977, meeting my favorite singer I used to listen to before I started singing professionally ‘Joan Baez’, and I was also thrilled that she knew of me too!

Also meeting Paul McCartney at De Lane Lea studios in 1977 when I was recording my solo album ‘Annie in Wonderland‘ produced by Roy Wood.

Annie Haslam – Annie in Wonderland

Roy and I were listening back to ‘If I Loved You’, and I had just finished my final vocal track. Paul was at the studios with Linda and Denny Laine, they were mixing ‘Wings at the Speed of Sound‘.

Paul was taking a break and heard my vocals floating down the corridor from studio 3! When he came in he said how beautiful my singing was and that it made his hair on his arms stand up ! Wow!
Hhe stayed and chatted for about an hour, a magical experience!

Performing in 2017 with orchestra again, 40 years almost to the day that we last played with an orchestra… it was a huge amount of work to put it all together and something we had been trying to accomplish again for many years. We have a DVD from the Keswick Theatre show, Glenside, PA called ‘A Symphonic Journey‘, a very proud time!

Renaissance – A Symphonic Journey

Did you have any formal music studies?

Yes I did, I went to Sybil Knight who had been an opera singer, because of that I learned to sing from my diaphragm and not just from the throat, that is when I discovered my 5 octaves!

What was the first tune you learned?

When I was very young, I learned a song called “Diana” by Paul Anka… when friends came to the house (in Bolton, Lancashire), my Dad used to say “Our Anne, come on let’s hear you sing Diana… I was always mortified and dreaded those words that I knew were coming. I was only 10 and would only sing standing behind the door to the kitchen so no one could see me!

What do you consider as the essential elements of your music?

First, the strong beautiful and memorable melodies, carried along by the piano as lead instrument, thought provoking and unique interesting lyrics and my 5 octave voice. All of these elements enhanced by lush and powerful orchestral arrangements.

Renaissance was one of the pioneers of the progressive rock genre. How did the confluence of rock and symphonic music come together in your case? Were there other influences?

The original band was formed by Keith Relf and Jim Mc Carty of the Yardbirds. They were the ones who created the sound of the band. We took it to another level with the addition of more classical influences and writing our own pieces in a more classical vein and, of course, taking it to the ultimate level by performing with orchestras; in particular, The New York Philharmonic (Carnegie Hall) and The Royal Philharmonic Orchestra (Royal Albert Hall).

Renaissance

The British and American mainstream music media were very hostile towards progressive rock. How did they treat Renaissance and why do you think there was such animosity towards progressive rock?

I am not aware that there was hostility. I remember being treated very well, with maybe a few reviewers that couldn’t quite get a hold of the longer passages that came along with this genre…we were very fortunate here in the USA with WNEW in New York City (Alison Steele) and WMMR in Philadelphia (Ed Sciaky) playing a huge role in breaking the band in this country.

Many of the progressive rock pioneers kept the band name but changed genre in the late 1970s and early 1980s, switching from progressive rock to radio friendly AOR and pop. Did Renaissance get any pressure from record labels and radio stations to change its format to shorter catchy songs?

We certainly did, and I was against it, but the times were changing, and after Northern Lights was a hit, it was plain to see that we were capable of writing pop songs… but we took it to the extreme, and sadly lost out uniqueness. We never caught up again until Michael Dunford and I reformed Renaissance in 2009 using some of my solo band musicians… from which we have grown from strength to strength. Sadly Michael passed away in 2012.

How did your musical ideas evolve throughout the years from your debut album to your latest recordings?

We were not involved in the first Renaissance album..Kings and Queens, a fabulous album. When I went for the audition in 1971 I learned all the songs on that and was asked to sing Island, which got me the job and which we orchestrated for the first time and included it in our 2017 ‘A Symphonic Journey‘ DVD.

renaissance – Prologue

Our albums from Prologue on evolved naturally from one album to the next; it was like we were all growing together in the same direction. The music was outstanding between 1972 through 1979, and stands out as being some of the best… After we made the foopah of taking the wrong direction in the mid-early 80s, finally years later when we reformed, Michael and I vowed we would go back to our roots, and we did with a glorious album called ‘Grandine il Vento (2012).

Renaissance – Grandine il Vento

Tell us a little about your upcoming tour and the musicians you are currently working with.

Our upcoming tour will be on the US east coast it will be our 50th Anniversary Tour, with 10 concerts, 5 will be with our very own ‘The Renaissance Chamber Orchestra.’

Founding member of the Yardbirds and Renaissance Jim McCarty will be making a special appearance at the Keswick Theatre in Glenside, Pennsylvania on October 12th and will be filmed for a blue-ray DVD. Band members are: Annie Haslam on lead vocals; Rave Tesar on keyboards; Mark Lambert on guitars and vocals; Leo Traversa on bass guitar and vocals; Geoffrey Langley on keyboards and vocals; and Frank Pagano on drums, percussion and vocals.

Renaissance in 2019

Your tours seem to focus on the northeastern region of the United States, what some call the progressive rock corridor. Do you have plans to tour in other parts of the United States or elsewhere?

We would love to perform in other parts of the US but it is too expensive to take 9 people on the road… our hearts are willing but the promoters cannot pay enough to make it happen.

We have been able to go overseas in the past few years, though, and since we reformed in 2009 we have been to Japan, South Korea, England, Belgium, Germany, Holland, Israel, Portugal and Brazil… in fact we are going back to Brazil next March (2020). So excited about that!

Mainstream media does not provide an outlet for progressive music. In what ways are you promoting your music?

We promote through live shows of course, some internet radio stations and there is streaming of many types… seems like the internet world in unending.

Of course there are still FM radio stations still playing our music, but most of them are commercial now and the DJ’s have less ability to choose their own choice of music.

If you could gather any additional musicians, or bands, to collaborate with, whom would that be?

At this point in time, I would just love to keep performing with Renaissance accompanied by orchestra, it’s just way it should be!

Personally, I would like to finish off a writing/recording project with Steve Howe that we started back in 1997. We wrote some beautiful songs together over in the UK and our blend of his unique style of guitar work and my voice were a match made in heaven.. that’s my wish (smiles).

Aside from the tour, do you have any additional upcoming projects to share with us?

After the Fall tour I will be going over to the UK in January to edit the DVD, looking forward to that very much. Then, we will be touring in Brazil next March, 2020. We were there in 2017, quite an amazing experience as the fans had been waiting over 45 years to see the band! So we know they will be unforgettable shows.

headline photo: Annie Haslam – Photo by Ebet Roberts

Celebrated Symphonic Rock Ensemble Renaissance Reveal 50th Anniversary Fall Tour 2019

Renaissance

In celebration of its 50th Anniversary, acclaimed progressive symphonic rock band Renaissance featuring Annie Haslam is embarking on a 10 concert date tour of the United States. The tour includes five special dates with The Renaissance Chamber Orchestra.

Annie Haslam says, “I joined the band New Years day 1971, now 48 years later we are still performing and bringing our unique style of music to more and more fans all over the world. This very special Anniversary tour will be a retrospective celebration of Renaissance Classics including a special guest appearance from Jim McCarty, Renaissance and Yardbirds co-founder. He will be joining us at The Keswick Glenside show on October 12th which will be filmed for our first high definition Blue Ray DVD.

Renaissance will be performing songs with the orchestra that have never been orchestrated before including their most notably “Ashes Are Burning.”

The current incarnation of Renaissance includes Annie Haslam on lead vocals; Rave Tesar on keyboards; Mark Lambert on guitars/vocals; Geoffrey Langley on keyboards/vocals; Leo Traversa on bass guitar/vocals; Frank Pagano on drums/percussion/vocals.

Renaissance Tour Dates:

10/10 – Annapolis, MD @ Ram’s Head On Stage
10/11/19 – New York, NY @ Town Hall (orchestra)
10/12 – Glenside, PA @ Keswick Theatre (orchestra)
10/13 – Harrisburg, PA @ Whitaker Center (orchestra)
10/15 – Red Bank, NJ @ Count Basie Theatre (orchestra)
10/16 – Ridgefield, CT @ The Ridgefield Playhouse (orchestra)
10/17 – Derry, NH @ Tupelo Music Hall
10/18 – Boston, MA @ City Winery
10/19 – Albany, NY @ Hart Theatre (orchestra)
10/20 – Wilmington, DE @ The Grand Opera House

More about Renaissance

Renaissance Releases Expanded Version of “Prologue” Album

Esoteric Recordings has announced the release of a newly re-mastered and expanded edition of the classic 1972 album by Renaissance, “Prologue”.

Formed in 1969 by former Yardbirds members Jim McCarty and Keith Relf, Renaissance had by 1971 experienced a series of line-up changes and had evolved into a completely different band from the one that had recorded the albums “Renaissance” and “Illusion”.

Renaissance – Prologue.

By June 1972 Renaissance included celebrated vocalist Annie Haslam, John Tout (keyboards, vocals), Jon Camp (bass, vocals), Terry Sullivan (drums, percussion) and Rob Hendry (guitar, mandolin, vocals).

The album “Prologue” was recorded in June and July 1972 and contained material written by Michael Dunford (a member of the group who had decided to skip performing with the band to concentrate on songwriting) and lyricist Betty Thatcher. Featuring such classic material as the album title track, “Kiev”, “Spare Some Love” and the epic “Rajah Kahn”, “Prologue” was also notable for the presence of guest musician Francis Monkman (of Curved Air) who would play VCS 3 synthesizer on “Rajah Khan”. The album would pave the way for the future success of Renaissance and would effectively be regarded as the band’s first true album.

This Esoteric Recordings edition has been re-mastered from the original Sovereign Records master tapes and adds the rare single version of “Spare Some Love” as a bonus track (appearing on CD for the very first time). The booklet features a new essay and exclusive interviews with Annie Haslam and Terry Sullivan and fully restores the original album artwork.

Symphonic Prog Rock Band Renaissance Featuring Annie Haslam To Perform with 10-Piece Chamber Orchestra

Renaissance

Pioneering progressive rock band Renaissance featuring Annie Haslam has announced its upcoming tour of the US Northeast in October and November 2017. Titled “Symphonic Journey,” the tour will feature four very special concerts with a 10-piece chamber orchestra, a handpicked ensemble of strings, woodwinds, brass, and percussion.

Concerts include October 26th at the Ridgefield Playhouse in Ridgefield CT; October 27th at the Keswick Theater in Glenside, PA; Town Hall in New York City on October 28th; and The Egg in Albany, NY on October 29th. These concerts will be the first time in 40 years that Renaissance will perform on stage with a “live” orchestra.

Plans are currently being made for the group to film the October 27th Keswick Theatre show for an upcoming DVD release that will follow the success of its 2015 London Union Chapel DVD. A crowd funding campaign has been started to raise the significant funds to produce the new live DVD.

The band keeps getting stronger and stronger and the addition of the chamber orchestra will be the most exciting event for the band in years,” said Renaissance leader and singer Annie Haslam. “This addition of ‘live’ orchestral musicians will add an incredible dynamic to our big numbers like ‘Mother Russia,’ ‘Carpet of the Sun’ and ‘Song For All Seasons,’ all of which included an orchestra on the original recordings.”

Annie Haslam will be joined on stage by long time musical associate Rave Tesar on piano, together with Tom Brislin on keyboards, Mark Lambert on guitars, Frank Pagano on drums and percussion, and Leo Traversa on bass.

Tour dates:

Oct 26 – Ridgefield Playhouse – Ridgefield, CT (With 10-Piece Chamber Orchestra)
Oct 27 – Keswick Theatre – Glenside, PA (With 10-Piece Chamber Orchestra)
Oct 28 – Town Hall – New York, NY (With 10-Piece Chamber Orchestra)
Oct 29 – The Egg – Albany, NY (With 10-Piece Chamber Orchestra)
Nov 01 – City Winery – Boston, MA
Nov 02 – Rams Head on Stage – Annapolis, MD

Splendid Renaissance at Union Chapel

Renaissance – Live at The Union Chapel (Symphonic Rock Records, 2016)

What a beautiful concert! Pioneering symphonic progressive rock band Renaissance videotaped this concert at the stunning Union Chapel in London in 2015. The group is still led by founder Annie Haslam. Her longtime collaborator Michael Dunford passed away in 2012 so Annie Haslam, who has been living in the United States for the past years, has put together a band of outstanding American jazz and session musicians.

Annie Haslam’s five octave vocals still sound particularly beautiful. She has one of the finest voices in progressive rock history. Her live band delivers an exquisite performance. The band features two extremely gifted keyboardists, Rave Tesar on piano and keyboards and Tom Brislin on symphonic keyboards, synths and samplers. Bassist Leo Traversa gets several opportunities to showcase his talent, offering stirring jazz-infused grooves. The band also features Mark Lambert on delightful acoustic guitars and backing vocals; and the creative drumming of Frank Pagano.

This concert features a mix of classic Renaissance fan-favorites along with newer material. It’s truly memorable musicianship. On the final piece, “Ashes Are Burning” the musicians perform a series of solos and improvisations including a knockout synth solo by Tom Brislin.

The DVD is available in NTSC all-region and compatible with PAL DVD players and televisions.

Live at The Union Chapel is a remarkable performance by one of the great masters of symphonic progressive rock. Annie Haslam has found a formidable band and I look forward to more recordings by this talented set of artists.

Buy Live at The Union Chapel