Laughing Stock - Shelter cover artwork. Two hands coming out of the earth holding tree branches with leaves.

Laughing Stock Explores Utopian Escape in ‘Shelter’

Laughing Stock – Shelter (Apollon Records, 2024)

Norwegian rock band Laughing Stock is back with their sixth album, Shelter, and it’s an intriguing exploration of a utopian society. The album’s narrative revolves around an organization called Shelter, which offers a sanctuary for those seeking to escape their past and the chaos of modern life. The Master of Shelter envisions a world rooted in happiness, love, and peace, a journey that is mirrored musically as the album progresses from shadows into light.

While Laughing Stock is typically labeled as progressive rock, Shelter presents a diverse mix of sounds. However, the mix of hard rock and prog metal might be a bit overwhelming for some listeners. The opening track, “A New Home,” kicks off with intense hard rock guitars but eventually transitions into dreamy, echoing vocals that provide a more ethereal vibe.

Track 2, “Shelter,” stands out with its beautiful vocals, acoustic guitars, and the nostalgic touch of the Mellotron. It’s a delightful escape into the album’s softer side.

Then there’s Track 3, “Roots Go Deep,” which feels like a rollercoaster ride. It starts off enchantingly with acoustic guitars and Mellotron, but then unexpectedly dives into a jarring prog metal section. Despite this, the guitar solo is a redeeming feature, offering a moment of pure enjoyment.

“In You” (Track 4) presents lovely vocals and memorable guitar lines, though it’s slightly marred by a sudden shift to prog metal near the end.

One of the album’s highlights is “Waterfall” (Track 5). This track features exquisite neoclassical piano, harmoniously intertwined with Floydian guitar work.

Track 6, “Sticks and Stones,” initially bombards the listener with grating metal riffs. However, after about a minute, it transforms into a spacious, atmospheric piece with standout vocals, organ, acoustic guitars, and a soaring electric guitar solo reminiscent of David Gilmour’s style.

“Radio” (Track 7) is another gem, a breezy, laid-back tune with Gilmour-esque guitars and engaging vocals, making it an easy favorite.

“The Flood” (Track 8) features the iconic British vocalist Tim Bowness (No-Man). Despite some tiresome moments with hard rock guitars, the track is salvaged by notable bass lines, elegant trumpet, and Bowness’s superb vocals.

The final track, “Memories,” doesn’t appear on the LP but is a beautiful, introspective ballad. This single edit features Bowness’s vocals accompanied by piano and more of that elegant trumpet, offering a serene conclusion to the album.

The album’s cover art and logo were crafted by renowned artist James Marsh, known for his work with Talk Talk. Marsh’s artwork was inspired by the album’s themes and discussions with the band, resulting in an effective visual representation.

Additional contributions include guitarist Anders Buaas, flutist Morten Clason (The Windmill), and trumpeter Terje Johannesen. The core band members remain Håvard Enge, Jan Erik Kirkevold Nilsen, and Jan Mikael Sørensen.

By Shelter.

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