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The album cover for Unity by Yosef Gutman Levitt & Itay Sher features a minimalist gradient design. The background transitions from deep blue at the top to a lighter turquoise hue towards the bottom. A small, subtle circular shape, possibly representing a moon or planet, is visible near the lower part of the cover. In the bottom right corner, a warm orange hue appears, contrasting against the cool blue tones. The typography is clean and understated, with the album title Unity centered in white uppercase letters, while the artists' names are positioned discreetly in the upper corners

CD Reviews

Sounds of Devotion: Yosef Gutman Levitt & Itay Sher Reimagine Hasidic Nigunim

Yosef Gutman Levitt & Itay Sher – Unity (Soul Song Records, 2024) Bassist Yosef Gutman Levitt and guitarist Itay Sher take a contemporary, orchestral approach…

The album cover for Imaginaerium - The Siege features a fantasy-inspired battle scene. A massive metallic sphere with intricate engravings and a fiery opening looms at the center, seemingly an otherworldly siege weapon. Surrounding it, Roman-style soldiers clad in red capes and armed with spears and shields advance through swirling blue mist. Towering stone fortresses, adorned with flags and statues, frame the scene, while the sky burns with a crimson inferno.

Interviews

Imaginaerium – “Siege” – Interview

Professor Mark February 24, 2025 No Comments Clive Nolan Imaginaerium Imaginaerium – "Siege"Laura Piazzai Luis Nasser Mark Monforti Mirko Sangrigoli Neil Monaghan Simone Milliava

Welcome, to The Noble Shire of Progressive Discussion! Welcome, Clive Nolan and Laura Piazzai, founding members of Imaginaerium; Simone Milliava, guitarist; Mirko Sangrigoli, second guitarist…

The album cover for Repeat After Me by Kneebody features a modernist design with a black background. The artwork includes six colorful, bisected circles arranged in two rows, using blue, green, yellow, orange, and pink hues. The typography is retro-futuristic: "kneebody" appears in lowercase, cream-colored letters, while "repeat after me" is set in a red rectangle with rounded white text. A geometric, textured white shape extends from the right side. The right edge also features the text "GROUND UP MUSIC," indicating the record label.

Music Videos

Kneebody Launches New Single, “Repeat After Me”

Prog News February 23, 2025 No Comments

“Repeat After Me,” the first single from Kneebody’s upcoming album, is available now. Saxophonist Ben Wendel shared, “Just a cheeky title for a cheeky song!…

The album cover for Big Blue Sky by Doris Brendel and Lee Dunham features a desert landscape with a towering pile of guitars—both acoustic and electric—stacked atop scattered rocks and debris. Many of the instruments are painted in shades of blue. The sky is vast and bright, stretching endlessly over the barren terrain.

CD Reviews

Doris Brendel and Lee Dunham – “Big Blue Sky”

Professor Mark February 22, 2025 No Comments Big Blue Sky blues Doris Brendel and Lee Dunham - "Big Blue Sky"Sam Blue Sam Brown Sam White UK

Last year I wrote my first review for Doris Brendel and Lee Dunham. It was for their album, Pigs Might Fly. It was a fascinating…

Stratospheerius by Jody Gianni LR. Band photo outside, sitting and standing by a building.

Music Videos

“Voodoo Vortex” Casts a Spell on Prog-Rock Fans

Prog News February 22, 2025 No Comments electric violin jazz-rock Joe Deninzon Joe Deninzon & Stratospheerius Progressive rock

Joe Deninzon & Stratospheerius’ latest music video, “Voodoo Vortex (Part 1),” from the album Impostor!, channels the spirit of 1970s progressive rock, fusion, and classic…

Cosmic Cathedral by Chad Hoerner. Band photo outdoors near some goods.

Music Videos

Making Waves: Cosmic Cathedral Drops ‘Deep Water Suite’ Video

Prog News February 21, 2025 No Comments Byron House Chester Thompson Cosmic Cathedral Neal Morse Phil Keaggy Progressive rock symphonic rock

Progressive rock supergroup Cosmic Cathedral has released the video for Deep Water Suite: Launch Out, Pt. One, the first segment of their 38-minute epic composition.…

The album cover for Beat Mirage by Mina Cho’s Grace Beat Quartet is a minimalist design. It features a dark, almost black background with jagged, cracked glass-like textures running across the image. A spectral burst of rainbow light emerges in the upper left portion. The album title, Beat Mirage, appears in bold yellow uppercase letters.

CD Reviews

Grace Under Pressure: Mina Cho & The Beat Mirage

Charlie Melville February 20, 2025 No Comments gugak Insoo Kim Korean jazz Korean music Max Ridley Mina Cho Mina Cho & Grace Beat Quartet piano world fusion world jazz Yeongjin Kim

Mina Cho & Grace Beat Quartet – Beat Mirage (International Gugak Jazz Institute, 2024) Rooted in the larger Gugak Jazz Society, a nine-piece powerhouse devoted…

The album cover for Victims of Convenience by Conveniens features a glitchy, distorted aesthetic with bold, overlapping cyan, magenta, and black silhouettes of band members. The typography is similarly fragmented, with a digital or photocopied effect.

CD Reviews

Synths, Jazz, Percussion, Chaos: Conveniens Plays by No One’s Rules

Stefan Bruno February 20, 2025 No Comments

Conveniens – Victims of Convenience (Smith&Maz Music, 2024, originally released by Convenience Records in 1986) Conveniens, an American underground band, emerged in the 1980s. They…

The album cover for Between Two Worlds by Hats Off Gentlemen It's Adequate features a surreal, blurred double-exposure effect of a faceless humanoid figure.

CD Reviews

Hats Off Gentlemen It’s Adequate – “Between Two Worlds”- EP

Professor Mark February 19, 2025 No Comments "Between Two Worlds"- EP Hats Off Gentlemen It’s Adequate – "Between Two Worlds"- EP Malcolm Galloway Mark Gatland Progressive rock symphonic rock UK

Hats Off Gentlemen It’s Adequate, is one of the best progressive rock bands from the UK. This year they have released an EP, Between Two…

The album cover for Remnants of Light by Needlepoint features a black-and-white hand-drawn illustration with a folk-art aesthetic. A barefoot figure, dressed in loose clothing, sits on the ground surrounded by scattered leaves, resting their head on one hand in a contemplative pose. Around them, several crows gather, seemingly engaged in an interaction with the leaves. Behind them, bare trees, a stone wall, and a distant village. Above, a vast flock of birds forms a flowing pattern in the sky.

CD Reviews

A Fine Needle in the Prog Haystack

Angel Romero February 17, 2025 No Comments Canterbury Needlepoint pastoral folk Progressive rock psychedelic rock

Needlepoint – Remnants of Light (BJK Music, 2024) With Remnants of Light, their sixth album, Needlepoint continue to carve out a singular space within Norway’s…

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Sounds of Devotion: Yosef Gutman Levitt & Itay Sher Reimagine Hasidic Nigunim

Imaginaerium – “Siege” – Interview

Kneebody Launches New Single, “Repeat After Me”

Doris Brendel and Lee Dunham – “Big Blue Sky”

“Voodoo Vortex” Casts a Spell on Prog-Rock Fans

Making Waves: Cosmic Cathedral Drops ‘Deep Water Suite’ Video

Grace Under Pressure: Mina Cho & The Beat Mirage

Synths, Jazz, Percussion, Chaos: Conveniens Plays by No One’s Rules

Hats Off Gentlemen It’s Adequate – “Between Two Worlds”- EP

A Fine Needle in the Prog Haystack