The Tangent, the edgy progressive rock group led by Andy Tillison, has a new animated music video available with an excerpt of the track “The Adulthood Lie.” The piece appears on The Tangent’s new album ‘Proxy,’ scheduled for release on November 16th, 2018.
Andy Tillison provide details: “‘The Adulthood Lie’ is a song from the new album “Proxy” by The Tangent. It comes in two flavours… one (the album version) which is a sixteen minute long Prog Rock Epic made out of anything but Prog Rock sounds… and the “single” version which is released today. The ‘single’ gives no real indication of what actually happens on the album version, but takes the form of a dancey Ibiza style pop song. These two versions work together well as a demonstration of what Progressive Rock still can be. Hear the single (with its cult game-like lyric video), and then hear the album to find out where it goes next!”
Chronomonaut is part 2 of a concept album developed by American progressive rock band Glass Hammer. The story follows Tom, a progressive rock-obsessed individual who received alien voices speaking to him through his favorite albums. Volume 1, Chronometree centered on Tom’s teenage years in the late 1970s. On Chronomonaut, Tom has grown up and experiences a mid-life crisis. The voices have returned and have been inciting Tom to time-travel back to the splendor days of the early progressive scene.
Glass Hammer have nailed it. They have captured the essence of early progressive rock, where proto symphonic influences met Beatles influences; brass-fueled rock-jazz similar to Blood, Sweat and Tears and early Chicago; folk-rock, and psychedelia. Although considerably less symphonic than many of their previous recordings, the instrumental section led by current members Babb, Raulston and Schendel is formidable, with memorable guitar solos, magnificent keyboards, creative drumming and lead bass lines.
On the vocal side, the band uses various vocalists, including current member Susie Bogdanowicz as well as Discipline’s Matthew Parmenter and a local Gospel singer called Patton Locke.
The Glass Hammer lineup on this album includes Steve Babb on bass, keyboards, lead and backing vocals; Fred Schendel on keyboards, guitars and backing vocals; Susie Bogdanowicz on lead vocals; and Aaron Raulston on drums.
Guests featured: Brian Brewer on guitar, steel guitar and mandolin; Jamison Smeltz on saxophone; Matthew Parmenter on lead vocals; Chris Herin on guitar; Reese Boyd on guitar; Phil Stiles on guitars; Tommy Ogle on saxophone; Bria Poteet on trombone; Stephen Bearden on trumpet; and Randall Williams on drums.
Acclaimed guitar virtuoso Steve Hackett has announced the release of his new studio album ‘At The Edge Of Light’ on January 25, 2019. Steve Hackett was Genesis’ guitar player during the band’s highly influential progressive rock era.
‘At The Edge Of Light’ contains ten songs, featuring various musical genres, ranging from guitar-driven rock to epic symphonic orchestration, world music and atmospheric pieces.
Steve reveals: “In these dangerous times, deep shadows feel even sharper than usual and we find ourselves standing at the edge of light… The contrast between dark and light weaves its way throughout the album in many ways, from the sense of good fighting evil through to the interplay of dark and light opposites magically combining in cultures, including the heartbeat of India and primal tribal rhythms. Ultimately, this album embraces the need for all musical forms and cultures to connect and celebrate the wonder of unity in this divided world.”
At The Edge Of Light will be available in various formats, including a Mediabook CD plus extra DVD with 5.1 surround sound mix & behind the scenes documentary, double vinyl LP + CD, Jewelcase CD and digital album.
‘At The Edge Of Light’ was primarily recorded in Steve’s own studio but also around the world. The album includes international artists, such as Durga and Loreley of Pink Floyd vocal fame, drummers Nick D’Virgilio and Simon Phillips from USA, Sheema on sitar from India, Icelandic drummer/percussionist Gulli Briem, tar player Malik Mansurov and Swedish progressive rock bass player Jonas Reingold. This album also features Paul Stillwell on didgeridoo, Rob Townsend on sax, bass clarinet and duduk, Amanda Lehmann on vocals, John Hackett on flute, drummer Gary O’Toole, Roger King and Ben Fenner on keyboards, Dick Driver on double bass, violinist and viola player Christine Townsend.
Hackett recently played a series of Genesis Revisited shows with Orchestra and will perform two UK dates with acoustic sets in early December before touring Europe in April/May 2019. He also announced a UK tour in November 2019 with a much anticipated ‘Selling England By The Pound & Spectral Mornings & Album Highlights’ set. Upcoming tour dates are available at: hackettsongs.com/tour
Composer, keyboardist and vocalist Andy Tillison is the social conscience of progressive rock. He’s a musician that doesn’t have any problem exposing society’s problems. Tillison is also one of the great innovators in the current progressive rock scene. The Tangent puts out a brilliant mix of progressive rock, jazz-rock fusion, funk, forward-thinking trip hop and, on the Proxy album, Spanish influences.
The band, as usual, is outstanding. Andy Tillison always surrounds himself with some of the finest musicians in the progressive rock scene, including remarkable guitarist Luke Machin, who combines an enviable skill with a multi-faceted set of guitar sounds. On the enchanting track “The Melting Andalusian Skies” he channels Al Di Meola and the great Andalusian rock guitarists.
The band on Proxy includes Andy Tillison on vocals and keyboards; Jonas Reingold on bass; Theo Travis on saxophone and flute; Luke Machin on guitars; Steve Roberts on drums; and guest Goran Edman.
Proxy is yet another masterful progressive rock work by The Tangent.
The Spacious Mind – The Drifter (Trail Records TR-020, 2018)
Trail Records never fails to deliver the good stuff. The Drifter is a collection of tracks by the fabulous psychedelic progressive rock band The Spacious Mind, from Sweden.
The Spacious Mind recreates the enchanting atmosphere of progressive psychedelia generated by Echoes-era Pink Floyd, with a boatload of acid guitars, vintage keyboards, spellbinding effects and modern electronic sounds.
The material on The Drifter includes tracks from the late 1990s through the mid-2000s. Great stuff indeed.
Norwegian instrumental band Pymlico returns with an album titled Nightscape. Although the band is known for combining progressive rock and jazz fusion, the fusion side is actually smooth jazz, with very sweet, melodic saxophone.
There is a dynamic interaction between the high energy progressive rock, cinematic passages and the mellowed down sections.
The band includes Øyvind Brøter on keyboards; Stephan Hvinden on guitars; Andreas Sjo Engen on guitars; Axel Toreg Reite on bass and synth bass; Marie Færevaag on saxophones and keyboards; Arild Brøter on drums, keyboards and additional guitars; and Oda Rydning on percussion.
Guests: Mattias Krohn Nielsen on acoustic and some electric guitars; Ketil Vestrum Einarsen on flute; Didrik Føyn Føyen on trombone; and Andreas Fossum on trumpet.
Nightscape is a finely crafted instrumental album by a group of talented young musicians.
California-based progressive rock band ScienceNV has put together a two-part concept album series dedicated to Prester John, a legendary Christian ruler in the East who inspired many writings in the Middle Age and appears in Umberto Eco’s Baudolino.
The music on this first volume is an unexpected mix of fascinating classic progressive rock with excellent guitar and keyboard work, quirky avant-garde explorations and free improvisation, Baroque music, operatic vocals and jazz-infused jams. The band members are still the same although the album features various guests.
The lineup includes Larry Davis on guitar and bass; David Graves on keyboards and vocals; James Henriques on guitars, keyboards and vocals; and Rich Kallet on drums and percussion.
Guests include: Carrie Adler on oboe; Michael Cooke on saxophones; Phil Freifhofner on oboe; Paul Rosason pipe organ; and the following vocalists: Roberta Lengua, Daniel Pribyls, Rose Taylor, Joyce Graves, Alan Munson, and Betsy Snyder.
ScienceNV has released a series of amusing videos that accompany the project:
Xavi Reija featuring Tony Levin, Markus Reuter, Dusan Jevtovic – The Sound Of The Earth (Moonjune Records, 2018)
The Sound Of The Earth is an album by a sort of western progressive music all-stars associated with the Moonjune label. Xavi Reija demonstrates his formidable skill as a drummer, along with some of the biggest names in the improvisatory progressive rock scene: Tony Levin, Markus Reuter and Dusan Jevtovic.
The album features high energy pieces with creative drumming, distorted guitars and outstanding bass work. The four musicians also delve into tranquil territory, with the guitarists developing exquisite ambient soundscapes supported by lightly touched drumming and imaginative basslines.
The lineup includes Xavi Reija on drums; Tony Levin on electric bass, upright bass, and stick: Markus Reuter on touch guitar; and Dusan Jevtovic on guitar.
And The Stars Above is the latest from Italian duo Armonite. It is a masterful collection of instrumental pieces (with brief vocals) where progressive rock and classical music meets jazz, electronica and other influences.
Armonite’s sound is characterized by the scorching electric violin and viola of Jacopo Bigi and the magnificent keyboards and electronics of Paolo Fosso.
The concept behind album is soundtracks. It’s envisioned as a set of pieces inspired by literature, dance and various other forms. And The Stars Above includes a charming piece titled Plaza De España that has a Spanish flavor, including castanets.
Guersts include Colin Edwin on bass; Alberto Fiorani on bass; Giacomo Lampugnani on double bass; Jasper Barendregt on drums; Emiliano Cava on drums; Corrado Bertonazzi on drums; Maria Chiara Montagnari on vocals; Diletta Fosso on child’s voice; Marcello Rosa on cello; Quartetto indaco string quartet.
Roland Bühlmann – Bailenas (Roland Bühlmann, 2017)
Bailenas is an excellent instrumental album by Swiss multi-instrumentalist Roland Bühlmann. He delivers an engaing combination of progressive rock, jazz-rock fusion, electronics and post rock.
The sounds revolves around various electric guitar sounds although Roland Bühlmann also plays hanottere (a Swiss cittern), bass, stones, and shofar (Hebrew horn) along with loops, drums and percussion generated with Beta Monkey Music samples.
Bailenas is a beautifully-crafted album highlight the versatility of the electric guitar.