Zeuhl is a subgenre of progressive rock that emerged in the late 1960s to early 1970s in France. Coined by the French band Magma in 1969, the term is derived from the Kobaïan language, a fictional creation of Magma’s Christian Vander and Klaus Blasquiz. In Kobaïan, Zeuhl Ẁortz translates to “Celestial Force.”
The musical roots of Zeuhl can be traced back to avant-garde jazz movement, intertwined with modern western classical music, folkloric influences reminiscent of Carl Orff’s compositions and progressive rock. Significantly, Magma’s influence extended beyond their homeland, reaching musicians worldwide.
Zeuhl is characterized by distinctive features, including commanding rhythm components, often delivered through a pulsating electric bass and at times, deliberately paced or dynamically flexible drum kits. Notably, the presence of slow, repetitive structures contributes to the creation of a mesmerizing, hypnotic atmosphere, complemented by solo passages that highlight technical finesse.
Vocals play a significant role, ranging from polyphonic choral movements akin to Carl Orff’s Carmina Burana to operatic and jazz style solo performances with piercing intonation. Zeuhl bands frequently feature solo guitarists or pianists, adding emphasis to the repetitive patterns.
Initially associated solely with Magma, the term “Zeuhl” expanded to encompass similar music produced by French bands in the 1970s. Noteworthy acts linked to Zeuhl include:
French bands: Art Zoyd, Dün, Eider Stellaire, Eskaton, Magma, Potemkine, Shub-Niggurath, Sotos, Weidorje, and Zao.
Japanese artists: Bondage Fruit, Daimonji, Happy Family, Kōenjihyakkei, Ruins.
Other international bands that feature Zeuhl influences: Univers Zero (Belgium), Present (Belgium), Universal Totem Orchestra (Italy), Corima (United States), Dai Kaht (Finland), Sonota Islands Kommandoh (Italy).
Here are a few recommended albums to start with:
Magma – Mekanïk Destruktïw Kommandöh (Vertigo, 1973)
This album is considered a classic and a great introduction to the Zeuhl genre. It features Magma’s signature blend of progressive rock, jazz fusion, and operatic vocals.
Zao – Z=7L (Vertigo, 1973)
Zao was one of the first bands to embrace the Zeuhl style after Magma. This album presents their unique approach to the genre, with intricate compositions and a fusion of jazz and rock elements.
Koenjihyakkei – Angherr Shisspa (Skin Graft Records, 2005)
Koenjihyakkei is a Japanese band heavily influenced by Magma. Their music combines complex rhythms, frenetic energy, and a touch of avant-garde. “Angherr Shisspa” is a standout album in their discography.
Weidorje – Weidorje (Cobra, 1978)
Weidorje was a short-lived French band that released only one self-titled album. Their music is characterized by powerful vocals, intricate arrangements, and a fusion of Zeuhl and classic progressive rock elements.